[{"TitleName":"Aliens","Publisher":"Electric Dreams Software","Author":"Focus Creative Enterprises Ltd, Mark Eyles, Mevlüt Dinç, Pennsoft, Soft Machine","YearOfRelease":"1986","ZxDbId":"0000161","Reviews":[{"Issue":{"Name":"Crash Issue 37, Feb 1987","Price":"£1","ReleaseDate":"1987-01-22","Editor":"Graeme Kidd","TotalPages":132,"HasCoverTape":false,"FlannelPanel":"Publishers: Roger Kean, Oliver Frey, Franco Frey\r\nPublishing Executive/Editor: Graeme Kidd\r\nSub Editor: Ciaran Brennan\r\nStaff Writers: Lloyd Mangram, Lee Paddon, Hannah Smith\r\nAdventure Editor: Derek Brewster\r\nStrategy Editor: Philippa Irving\r\nTech Tipster: Simon Goodwin\r\nContributing Writers: Jon Bates, Brendon Kavanagh, John Minson\r\nProduction Controller: David Western\r\nArt Director: Dick Shiner\r\nAssistant Art Director: Gordon Druce\r\nIllustrators: Ian Craig, Oliver Frey\r\nProduction: Seb Clare, Tim Croton, Mark Kendrick, Tony Lorton, Nick Orchard, Michael Parkinson, Cameron Pound, Jonathan Rignall, Matthew Uffindell\r\nAdvertisement Manager: Roger Bennett\r\nAdvertisement Assistant: Nick Wild\r\nSubscriptions: Denise Roberts\r\nMail Order: Carol Kinsey\r\n\r\nEditorial and Production: [redacted]\r\n\r\nMail Order and Subscriptions: [redacted]\r\n\r\nADVERTISING\r\nBookings [redacted]\r\n\r\nPrinted in England by Carlisle Web Offset, [redacted] - member of the BPCC Group.\r\n\r\nDistributed by COMAG, [redacted]\r\n\r\nNo material may be reproduced whole or in part without written consent of the copyright holders. We cannot undertake to return any written material sent to CRASH Magazine unless accompanied by a suitably stamped addressed envelope. Unsolicited written or photo material which may be used in the magazine is paid for at our current rates.\r\n\r\n©1987 Newsfield Limited\r\n\r\nCover by Ian Craig\r\n\r\n101,483 Total\r\n92,992 UK and EIRE"},"MainText":"Producer: Electric Dreams\r\nRetail Price: £9.99\r\nAuthor: Pennsoft and Soft Machine\r\n\r\nMark Eyles, designer of Back To The Future, is behind this game-of-the-film.\r\n\r\nBack on Earth after forty years floating in space. Ripley is horrified to find that the planet where she discovered the Aliens is now being colonised. No-one believes her gruesome story until contact is lost with the colonists ... Grudgingly, she agrees to accompany a group of highly trained Space Marines on a rescue mission.\r\n\r\nYou direct that mission from the safety of the Mobile Tactical Operations Bay (MTOB), and are in command of Ripley, four Space Marines and an android. The action is viewed on a video display generated by the camera on the helmet of the character currently being controlled. You can move the sights of the Smart Gun held by the human, either to target the weapon or search the current location - the video camera follows the gun-sight.\r\n\r\nAs well as the main video display, the control console also includes a panel for each of the six team members. These individual displays include a bar read-out that monitors the life status and stamina of the explorer - as a character gets near to exhaustion the bar flashes, and it changes colour when an Alien is attacking. The number of the room currently occupied is also given on each Individual's display panel.\r\n\r\nA press of the appropriate key gives control of a character, whereupon their portrait appears in the central control window. A bio-functions trace and a bar indicating the character's remaining Smart Gun ammunition also appear. The control window includes a counter that tots up the points collected for killing Aliens.\r\n\r\nCharacters can be moved around the complex, room by room, by using the doors - move the gun-sight over a doorway and press fire to pass through. Rapid movement can be made by requesting the character being commanded to move North, South, East or West, and he or she can move up to nine rooms in any of these directions. As soon as you switch control to another team member, your multi-room movement order is executed-providing the character you have sent off doesn't encounter an Alien, find the way blocked by a pool of acid blood or come up against a locked door...\r\n\r\nAs the team moves through the complex, Aliens start to come out of hiding. When a character enters a room where there's an Alien, a warning alarm sounds. There are only a few moments in which to blast the monster before it realises someone is there and zooms in for the kill. If the Alien isn't eliminated, it dashes up to the viewscreen and the signal goes dead as it kills your soldier.\r\n\r\nIf one of the team members who is not currently under your direct control meets up with an Alien, the appropriate status bar turns yellow. If a rescue mission isn't executed rapidly, you lose the trapped team member. Aliens may also capture one of the humans and begin impregnating their victim - again a rescue mission is needed if a life is to be saved.\r\n\r\nUltimately, the aim is to enter the room where the Alien Queen lays her eggs and wreak mayhem. Don't expect the Alien hordes to ignore your presence, though...\r\n\r\nCOMMENTS\r\n\r\nControl keys: 7 Up, 6 Down, 5 left, 8 Right, 0 Fire; R Ripley, G Gorman, H Hicks, I Bishop, V Vasquez, B Burke; N north, S south, E east, W west\r\nJoystick: Kempston, Cursor, Interface 2\r\nUse of colour: monochrome play area\r\nGraphics: detailed, with neat Aliens\r\nSound: good tune at the beginning with spot effects throughout\r\nSkill levels: one\r\nScreens: 255","ReviewerComments":["This has to be the best game-of-the-film to date: it really has captured the spirit of the movie. I found it scary to play - quite often when I was faced with an Alien I actually started to sweat the strategy element of the game isn't much fun, but when coupled with the horrid slimy Aliens which crop up at the most unexpected times, the game as a whole works excellently. I can see myself playing this either until I've completed it or until I admit defeat - it is just very compelling. Go buy it, you won't regret it\r\nBen Stone","Aliens is a very good game. Doubtless it will gain a lot of sales from the film tie-in, but even in its own right its well worth playing. The graphics are very neat with the Aliens suitably represented. Bearing in mind the fact that the film is classed as being a horror, I think it could have been more atmospheric (a somewhat difficult proposition on the Spectrum!). The title tune is fair, and overall, Aliens is a very playable name. I didn't find it terribly addictive, but other than that, I've no complaints.\r\nMike Dunn","I was really amazed when I started to play Aliens. To be honest, I thought that it was going to be a bit tacky - but ELECTRIC DREAMS have done a really good job. The only way to play this is late at night with all the lights off, and the TV extremely close to you. Basically it's just another 'stomp around the shop' type of game - but it has got loads of extra features to bring it alive. Well worth a gander.\r\nPaul Sumner"],"OverallSummary":"General Rating: A good attempt at capturing the action and atmosphere of the film.","Page":"18","Denied":false,"Award":"Not Awarded","Reviewers":[{"Name":"Ben Stone","Score":"","ScoreSuffix":""},{"Name":"Mike Dunn","Score":"","ScoreSuffix":""},{"Name":"Paul Sumner","Score":"","ScoreSuffix":""}],"ScreenshotText":[{"Text":"An Alien is heading straight for Gorman - quick shooting might save his life!"},{"Text":"Ripley prepares to leave after blasting another evil creature to a heap of acidic slime..."}],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":[{"Header":"Presentation","Score":"88%","Text":""},{"Header":"Graphics","Score":"85%","Text":""},{"Header":"Playability","Score":"84%","Text":""},{"Header":"Addictive Qualities","Score":"81%","Text":""},{"Header":"Value For Money","Score":"82%","Text":""},{"Header":"Overall","Score":"84%","Text":""}],"CompilationReviewScores":[]},{"Issue":{"Name":"Your Sinclair Issue 14, Feb 1987","Price":"£1","ReleaseDate":"1987-01-08","Editor":"Teresa Maughan","TotalPages":106,"HasCoverTape":false,"FlannelPanel":"Editor: Teresa Maughan\r\nArt Editor: Caroline Clayton\r\nProduction Editor: Sara Biggs\r\nAssistant Editor: Phil South\r\nStaff Writer: Markus Berkmann\r\nDesigner: Darrell King\r\nContributors: Steve Adams, Luke C, Mike Gerrard, Ian Hoare, Gwyn Hughes, ZZKJ, Tommy Nash, Max Phillips, Rick Robson, Rachael Smith\r\nAdvertisement Manager: Mark Salmon\r\nAdvertisement Executive: Julian Harriott\r\nProduction Manager: Sonia Hunt\r\nManaging Editor: Kevin Cox\r\nPublisher: Roger Munford\r\nPublishing Director: Stephen England\r\n\r\nPublished by Sportscene Specialist Press Ltd, [redacted] Company registered in England.\r\nTypesetters: Carlinpoint [redacted]\r\nReproduction: Graphic Ideas, London\r\nPrinters: Chase Web Offset [redacted]\r\nDistribution: Seymour Press [redacted]\r\n\r\nAll material in Your Sinclair ©1987 Felden Productions, and may not be reproduced in whole or in part without the written consent of the publishers. Your Sinclair is a monthly publication."},"MainText":"There are some pages in Your Sinclair where you don't go alone. Marcus Berkmann grabs his smart gun, the clever dick, and gets spaced out in Aliens.\n\nFAX BOX\nGame: Aliens\nPublisher: Electric Dreams\nPrice: £9.99\nJoystick: All types (keyboard also used)\nKeys: Definable\nReviewer: Marcus Berkmann\n\nWhat a way to spend an afternoon. Stalking the corridors of a deserted base on a distant planet forever on the lookout for evil multi-limbed, acid-blooded alien creatures dedicated to my swift demise. Armed only with a computer-controlled smart gun (plus legs, for running). surrounded by bio-mechanoid growths in which human bodies are entombed, impregnated with alien embryos on the verge of a bloodcurdling 'birth'... it's probably just as well that I was only playing on my Spectrum.\n\nYou may recognise this grisly scenario as the starting point for Aliens, the deep- space horror flick that burst on the scene a couple of months ago (no doubt out of someone's chest) Now, thanks to Electric Dreams, this terrifying experience has transferred lock, stock and mandibles to your Spectrum The result is a fast-moving arcade adventure that's bound to keep you awake at night well into the New Year.\n\nAliens the film lakes us back to that planet, the calchily named LV-426, where in the first film, Alien, the Crew of the spaceship Nostromo encountered some very unusual wildlife. Ripley has escaped her original mega-jawed foe and blown up the Nostromo in the process. Returning to Earth 57 years later (she took the scenic route), she's been written off as a complete nutter. Until, of course, a human colony on LV-426 fails to report and she's sent back to investigate.\n\nAliens the game follows a similar course. Safe in your Mobile Tactical Operations Bay, you control the movements of six of the film's characters all armed and ready for trouble. The aim Of the game is to regain control of the base by fighting back the alien warriors (which needs practice) and shooting away the bio-mechanoid growths as they appear on the walls. Your eventual target is the Queen Alien's chamber, deep in the most inaccessible part of the maze. (Now there's a surprise!)\n\nSuddenly, when you-re least expecting it, BLAM BLAM BLAM and the first of your characters is doomed to a spectacularly grisly demise. Fortunately - or unfortunately, depending on your idea of fun you don't get to see any of this as your video connection with the character goes on the blink.\n\nBut never mind the bits you do see will certainly keep you on your toes. The aliens themselves are ghoulishly accurate, especially when they're coming straight for you. And those slimy chunks of bio-mucus are flesh-creepingly and liberally splattered over the walls. The rooms - all 255 of them - are similar in detail, though you're more likely to see guns in the armoury, medical supplies in the medical centre and so on.\n\nSo how to kill those facehuggin' chestburstin' little critters? One shot to the head will do it, if you're quick enough, or three to the body. But don't waste him (her? it?) in front of a door - the pool of acid blood left behind will make it impassable. Not that you'll find this a problem in your first few outings.\n\nAliens is enough of a challenge to keep you going for weeks/months/decades (depending on prowess). So, I reckon I'm going to be here for some time. And worse still, according to games designer Mark Eyles there's a twist in the tale for anyone who gets to the end - and isn't there always someone? But I can't tell you what it is - I never got there. And he wouldn't tell me, the newt!","ReviewerComments":[],"OverallSummary":"","Page":"36,37","Denied":false,"Award":"Your Sinclair Megagame","Reviewers":[{"Name":"Marcus Berkmann","Score":"9","ScoreSuffix":"/10"}],"ScreenshotText":[],"BlurbText":[{"Text":"ALIEN HATE\r\n\r\nYou're in the base, all is deathly silent and there's nothing to be seen until... Suddenly you hear a loud beeping alarm that alerts you to an alien's presence. Your heart begins to pound as the alarm gets faster indicating that the alien is closing in... The alien slithers into sight... What are you going to do now?\r\n\r\nThe door - your only escape, Useless of course, you've shot the lock, in which case you'll have to blast your way out leaving it wide open for the aliens to follow.\r\n\r\nIf you're being chased by a horde of aliens - and it'll happen - you can blow the lock and keep them out. It won't stop 'em coming through the air ducts, though.\r\n\r\nBio-mechanoid gunk strewn around the walls spells trouble. In small doses it may just mean an alien warrior. Further on in the game, look out for face huggers and alien eggs.\r\n\r\nMeet Vasquez - the character you're controlling. Should she be knocked off, her face will be replaced by a grinning alien's - another way of saying \"you're not very good at this, are you?\"\r\n\r\nTop up your ammo by visiting the armoury. Leave one of your crew members there to be on hand when someone runs out of bullets - if anyone ever gets that far, that is.\r\n\r\nVasquez is under attack in room 4. Loud alarms (well, loud for the Spectrum) sound out.\r\n\r\nAs you only get a measly 100 points for every alien warrior and just five for each strand of bio-gunk, this eight-figure number should indicate just how many aliens you can expect to be attacked by. In space, no-one can hear you sigh...\r\n\r\nHere are your character's Bio-functions (and you thought it was just a squiggly line). Always useful to keep your eye on this - if it goes straight, your character's kaput. And we all know what that means!\r\n\r\nWith his bio-monitor now an elegant shade of black, Hicks is no more. Both he and Bishop died in Room 17, which seems a good enough reason not to go back there.\r\n\r\nThe bio-monitor turns yellow when your character's been captured. From there on it gets worse - red means impregnated, black means dead. Pass the sick bag.\r\n\r\nRipley's green bio-monitor means she's still relatively healthy. The length of the bar indicates stamina, which diminishes quickly when she's on screen.\r\n\r\nHe may look harmless but wait until he notices you. Then you'll have about 0.02 of a second to zap him to kingdom come. (Watch out for the exploding head effect - ugh!)"},{"Text":"LOST IN SPACE?\r\n\r\nAlthough a map is provided with the game, you don't get the all-important room numbers along with it. So, to start you off, here are a few of the more vital rooms to visit…"},{"Text":"TEAM WORK\r\n\r\nHere's the motely crew n your control. It's unwise to go it alone 'cos a solo soldier makes easy pickings for an alien. Keep your troops moving in groups and in close-contact. That way, if an alien strikes and a comrade gets captured, at least there'll be someone close at hand to come to the rescue. Strange things happen in space - if you're in a room with another character you won't actually see them. Maybe you're standing back to back and turning together?\r\n\r\nRIPLEY\r\nBURKE\r\nVASQUEZ\r\nHICKS\r\nGORMAN\r\nBISHOP"},{"Text":"YIKES!\r\n\r\nAaargh! This should tell you that unless you get a bit of a move-on, you are in very deep trouble indeed. In fact you can still atomise the cheery little chap, but I wouldn't hang about. (This screenshot was photographed at great personal risk.)"}],"TranscriptBy":"Chris Bourne","ReviewScores":[{"Header":"Graphics","Score":"9/10","Text":""},{"Header":"Playability","Score":"9/10","Text":""},{"Header":"Value For Money","Score":"9/10","Text":""},{"Header":"Addictiveness","Score":"9/10","Text":""},{"Header":"Overall","Score":"9/10","Text":""}],"CompilationReviewScores":[]},{"Issue":{"Name":"Sinclair User Issue 58, Jan 1987","Price":"£1","ReleaseDate":"1986-12-18","Editor":"David Kelly","TotalPages":132,"HasCoverTape":false,"FlannelPanel":"Editor: David Kelly\r\nDeputy Editor: John Gilbert\r\nSenior Staff Writer: Graham Taylor\r\nStaff Writer: Jim Douglas\r\nDesigner: Gareth Jones\r\nAdventure Help: Gordo Greatbelly\r\nZapchat: Jon Riglar\r\nHelpline: Andrew Hewson\r\nContributors: Richard Price, Andy Moss, Gary Rook\r\nHardware Correspondent: Rupert Goodwins\r\nAdvertisement Manager: Louise Fanthorpe\r\nSenior Sales Executive: Jacqui Pope\r\nProduction Assistant: Alison Morton\r\nAdvertisement Secretary: Linda Everest\r\nSubscriptions Manager: Carl Dunne\r\nPublisher: Terry Pratt\r\n\r\nTelephone [redacted]\r\n\r\nSinclair User is published monthly by EMAP Business & Computer Publications\r\n\r\nCover Illustration: Courtesy of 2000AD magazine\r\n\r\nIf you would like to contribute to Sinclair User please send programs or articles to:\r\nSinclair User\r\nEMAP Business & Computer Publications\r\n[redacted]\r\n\r\nOriginal programs should be on cassette and articles should be typed. Please write Program Printout on the envelopes of all cassettes submitted. We cannot undertake to return cassettes unless an SAE is enclosed. We pay £20 for each program printed and £50 for star programs.\r\n\r\nTypeset by PRS Ltd, [redacted]\r\nPrinted by Nene River Press, [redacted]\r\nDistributed by EMAP Publications Ltd.\r\n\r\n©Copyright 1986 Sinclair User ISSN No 0262-5458\r\n\r\nABC 90,215 July-Dec 1985"},"MainText":"Label: Electric Dreams\r\nAuthor: Soft Machine\r\nPrice: £9.99\r\nMemory: 48K/128K\r\nJoystick: various\r\nReviewer: John Gilbert\r\n\r\nFive marines, the e-xFlight Officer of a doomed space freighter, and a little girl called Newt are trapped in the colony base of a lonely, distant, planet. And all the colonists are dead, gutted by the face hugging parasites which use human bodies as disposable wombs.\r\n\r\nThis as Aliens the movie and now Aliens the game.\r\n\r\nThe base comprises a massive 248 rooms and corridors, you've got no idea where you are, and only six very vulnerable characters to control - Riply, the Flight Officer, heads the cast and Lieutenant Gorman commands the marine team of Hicks, Burke, Vasquez, and the Android Bishop.\r\n\r\nYou control the whole thing from a console which shows the strengths of all the characters their firepower and heart rate and the view through one of the video cameras worn on the helmets of each character. So you get kind of player's eye point-of-view of the base - and you can switch between your characters looking, as it were through their eyes.\r\n\r\nSo there you are with your team standing at the entrance to the base. Wait long enough and the aliens will come for you rather than the other way around. Better do something.\r\n\r\nChoose one of the characters to move - you can only control one at a time. Push the joystick forward to go forward, left or right to turn. And the characters eye-view scrolls accordingly.\r\n\r\nAt first the base seems incredibly complex and it's difficult to work out where you're going let along how find your way back.\r\n\r\nAnd just when you think you're going really well you hear the warning alarm sound. There's an alien in the room with you! As the creature comes closer the warning pitch rises and you begin to fear. Where is it? - you can't find it. You whirl round but suddenly the screen blanks out in a flurry of static and you've lost one of your team. Without even getting a glimpse of the creature or a chance of a shot. This is more difficult than I'd expected.\r\n\r\nIt wasn't long before I'd wiped out my whole team! My second attempt was better though.\r\n\r\nThe gameplay is unusual - you may think it's odd but I thought it was very effective. Basically you can play the game how you want. It is a strategy game. Or is it an arcade shoot 'em up.\r\n\r\nIt's up to you. You can zap around trying to knock off as many aliens as you can - periods of relative boredom punctuated by short bouts of nerve jangling frenzy. Shoot the aliens and zap the bio-material they create from the walls of the base as you go.\r\n\r\nOr you can map and plan your strategy. Keep your team together and try to reach the Queen alien's chamber and destroy her.\r\n\r\nWhen you switch between characters, using a key letter, the display changes with a quick sparkle of interference. All of your team have a gun so things aren't as tough a they might have been. The big problem is lining up your sights on the alien before it gets you. When it all happens it all happens very fast.\r\n\r\nYou use the smart guns for destroying aliens, face huggers, generative gooey stuff and any of your buddies who have been impregnated.\r\n\r\nThere are two ways in which you move around the base. Obviously by joystick. Find a door and press the Spectrum's space bar to get into the next room. Some doors are locked and you'll have to blast through them to continue.\r\n\r\nRooms are made up of several screens. You don't have to scan them all unless there's an alien in the vicinity. When the warning sounds scan the room wIth the joystick and when you catch up with its shuffling, hump-backed, body aim at it's head and fire. One shot to the head will finish it but if you hit only the body you'll need three blasts.\r\n\r\nIf you aren't quick enough the claxon builds to a scream, the alien turns and it's two pairs of jaws open to bite deep into foam, plastic, flesh and bone. I defy any player to get used to what are some of the most realistic graphics I've ever seen on the Spectrum.\r\n\r\nYou'll see even better graphics if you wait until the creature turns and gets close before firing. Its head explodes in a cloud of large, black, fragments.\r\n\r\nYou can only move one room at time using a joystick but there is another method, by which, you can move through six or seven locations at a time. When you've mapped the same fairly thoroughly you can type in the number of locations you want to move and the direction in which you want to walk. For instance 2E would take the viewpoint character two locations East without having to worry about which door in the current room leads where.\r\n\r\nAliens don't always kill. One of your team could be captured and prepared for impregnation. If that happens his - or her - strength bar turns yellow and you should send another team member to save that character. If the bar reaches the right side of the status window the impregnation is complete the character should be killed before the baby alien leaps from the stomach.\r\n\r\nAll this killing depletes laser power so the first destination for all the marines should be the armoury. The walls of this room are laden with guns and bombs but you don't have to pick them up. Any character who enters the room well get an increased ammo status.\r\n\r\nOnce you've been to the armoury you can visit some of the other incidental rooms. There's the Generator Room which you must keep free of growths or the bases power will fail. After you've visited all these rooms you can progress through the maze towards the queen's chamber where face huggers go into action and the whole alien operation is controlled. Once you've entered the chamber you must activate the bases's biomech device to cause the aliens to decompose. Unlike the film there is more than one alien queen and you'll have little time to activate the device with face huggers, alien warriors and queens loping and lurching after you.\r\n\r\nSurvival is difficult - to say the least - in Aliens. The best plan, though not always successful, is to move the whole group from one location to another. One character should scout ahead and if there's trouble you can destroy the troublemaker easily. I've lost a few like that, but I have also managed to explore most of the base.\r\n\r\nElectric Dream's latest baby may be a licensing deal but there's no stigma attached to this one. It's a game of realistic graphics, limited arcade action and sophisticated strategy. The simple storyline makes for software magic.","ReviewerComments":[],"OverallSummary":"A blockbusting arcade/strategy experience. You'll not be disappointed, the tension is something you really feel.","Page":"24,25","Denied":false,"Award":"Sinclair User Classic","Reviewers":[{"Name":"John Gilbert","Score":"5","ScoreSuffix":"/5"}],"ScreenshotText":[],"BlurbText":[{"Text":"HINTS AND TIPS.\r\n\r\nMake a map. Hardly a revelation, but until you map it out you wont be able to move your team automatically.\r\n\r\nDoors may be locked for a purpose. Blow the wrong door and you could be chomped.\r\n\r\nAvoid alien blood. If it blocks doorways don't go through them or you could boil like the acid it contains.\r\n\r\nThe alien catacomb structures on the walls are used to store human bodies. Destroy them and gain points.\r\n\r\nDon't go out alone. You never know what's lurking in the next room. Move your forces as a team and stick together.\r\n\r\nDon't try to leave the base. You wont survive more than three seconds on the planet's surface."}],"TranscriptBy":"Chris Bourne","ReviewScores":[{"Header":"Overall","Score":"5/5","Text":""}],"CompilationReviewScores":[]},{"Issue":{"Name":"C&VG (Computer & Video Games) Issue 63, Jan 1987","Price":"£98","ReleaseDate":"1986-12-16","Editor":"Tim Metcalfe","TotalPages":164,"HasCoverTape":false,"FlannelPanel":"Editor: Tim Metcalfe\r\nDeputy Editor: Paul Boughton\r\nEditorial Assistant: Lesley Walker\r\nSub-Editor: Seamus St. John\r\nDesign: Craig Kennedy\r\nAdventure Writers: Keith Campbell, Paul Coppins, Steve Donoghue\r\nAmerican Correspondent: Marshall M. Rosenthal\r\nArcades: Clare Edgeley\r\nSoftware Consultant: Tony Takoushi\r\nPublicity: Marcus Rich\r\nAdvertisement Manager: Garry Williams\r\nAdvertisement Executive: Katherine Lee\r\nAd Production: Debbie Pearson\r\nPublisher: Rita Lewis\r\nCover: Steve Gibbs\r\n\r\nEditorial and Advertisement Offices: [redacted]\r\n\r\nJuly-December 98,258"},"MainText":"MACHINE: Spectrum/CBM 64/Amstrad\r\nSUPPLIER: Electric Dreams\r\nPRICE: £9.99 (Spectrum/CBM 64/Amstrad cassette), £14.99 (CBM/Amstrad disk)\r\nVERSION TESTED: Spectrum\r\n\r\nSome day a software house will capture the licence to a top film and turn it into a brilliant game. Of all the film titles currently hoping to make money from the micro, most tend to be a disappointment when it comes to the game. It's the name that sells.\r\n\r\nElectric Dreams has scooped one of the hottest films of 1986 and, in my humble opinion, have made perhaps the best movie conversion game around. It has atmosphere - the very ingredient which made the films such winners. Remember those magic moments in the film where the whole audience seems to jump at the same time? Well I found myself jumping at parts of the game as an alien rushed at me. Great stuff!\r\n\r\nOn to the plot. Warrant Officer Riply, sole-suvivor of a terrifying encounter with an alien aboard a space freighter, has been rescued. Later she is horrified to learn that the planet where she first encountered the aliens, has now been inhabited by a colony of space engineers and their families. All contact has now been lost with the colony. The worst is feared.\r\n\r\nReluctantly, Ripley agrees to head a squad of elite marines to the planet. On their arrival they find the engineers' base is deserted. As night falls they find it isn't just insects that crawl out of the woodwork... It's aliens, lots of them, with slavering jaws and a mean appetite.\r\n\r\nThere are a huge number of rooms to explore and Electric Dreams has included a map to help you.\r\n\r\nYou have control of all six members of the team. At least half the screen is taken up with their details. The crew can only be controlled one at a time. Their faces are displayed at the centre of the screen. And the top half of the screen is then taken up with the view from their portable cameras.\r\n\r\nEach crew member can be moved through doors, either by opening them or blasting them with a smart gun. It's also possible to direct the other crew members to move to certain rooms and these commands will be carried out while you can get on with other business. You soon get used to switching between crew.\r\n\r\nAs they move through the base they will find bio-mechaniod growths cover the walls. These must be blasted away. But be careful, where these growths are the chances are they'll be an alien. Although alarms sound when they're near, you may not see the monster before it attacks. Sometimes they sneak up from behind! I But more than likely you'll be able to get a few shots at the Alien. But try not to shoot him in front of a doorway. They tend to bleed a lot there and this acidic fluid will prove fatal.\r\n\r\nAlthough the game isn't stunningly original in terms of an idea, you quickly find yourself being drawn into and getting absorbed in the play.\r\n\r\nGraphically it's very nice. In fact you probably get more of an idea what the aliens look like from the game than the film.","ReviewerComments":[],"OverallSummary":"","Page":"36,37","Denied":false,"Award":"C+VG Hit","Reviewers":[{"Name":"Paul Boughton","Score":"","ScoreSuffix":""}],"ScreenshotText":[{"Text":"One of the best film conversions we've seen. It's very atmospheric."}],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":[{"Header":"Graphics","Score":"8/10","Text":""},{"Header":"Sound","Score":"7/10","Text":""},{"Header":"Value","Score":"8/10","Text":""},{"Header":"Playability","Score":"9/10","Text":""}],"CompilationReviewScores":[]},{"Issue":{"Name":"ZX Computing Issue 34, Feb 1987","Price":"£1.5","ReleaseDate":"1987-01-22","Editor":"Bryan Ralph","TotalPages":92,"HasCoverTape":false,"FlannelPanel":"Editor: Bryan Ralph\r\nAssistant Editor: Cliff Joseph\r\nConsultant Editor: Ray Elder\r\nAdvertising Manager: John McGarry\r\nDesign: Argus Design\r\nA.S.P. Advertising and Editorial [redacted]\r\n\r\nPrinted by Chase Web, [redacted]\r\n\r\nAdvertisement Copy Controller: Andy Selwood\r\n\r\nDistributed by: Argus Press Sales and Distribution Ltd, [redacted]\r\n\r\nZX Computing Monthly is published on the fourth Friday of each month. Subscription rates can be obtained from ZX Subscriptions, [redacted]\r\n\r\nThe contents of this publication, including all articles, designs plans, drawings and other intellectual property rights herein belong to Argus Specialist Publications Limited. All rights conferred by the law of Copyright and other intellectual property rights and by virtue of international copyright conventions are specifically reserved to Argus Specialist Publications Limited and any reproduction requires the prior written consent of the company.\r\n\r\nArgus Specialist Publications Limited. ©1987"},"MainText":"HEAD BITING, GUT RIPPING, FACE HUGGING, PEOPLE SHREDDING...\r\n\r\nElectric Dreams\r\n£7.95\r\n\r\nRipley, the sole survivor of the crew of the Nostromo that was chomped by a single Alien in the original film, now reluctantly leads an assault on a base packed with alien eggs, warrior, face huggers and queens. Their mission is genocide!\r\n\r\nThe target is a human colony that was built on the remote planet containing the alien eggs. The Aliens wiped them out, now they're after you...\r\n\r\nYou command a team of six troopers led by Ripley which includes Gorman, a space marine, Hicks who is noted for fast reactions, the android Bishop, the tough Vasquez and Burke (the Company man). Each is armed with an alien-frying smartgun that can take out a warrior with a single shot at its head (or three to its body) and is also useful for blasting doors open or sealing them by taking out the lock mechanism.\r\n\r\nEach crew member must be ordered separately either by issuing commands (e.g. 5N , move north five rooms) or by direct joystick control. I found this to be the better, although slower, method as you could ferry your crew room by room through the deadly maze of corridors. If you find an alien (or an alien finds you) you'd better be quick before its jaws get you. You're given a fighting chance as a proximity alarm warns of a nearby alien.\r\n\r\nIf a crew member is attacked while you're controlling someone else then the aliens will try to take them over. This is represented by a health bar, which is normally green, turning yellow. You can save them if you can get to them and kill the alien before the bar turns purple. Panicking at this stage can cost you your entire crew!\r\n\r\nACID\r\n\r\nAliens can still be deadly even once you've kitted them as they can leave impassable pools of acid in front of important doors and bio-mechanical growth all over the walls. This must be cleared otherwise it will spread with disastrous effects. The air ducts will become infested with alien eggs and soon you'll be swamped with face huggers. Besides if it takes control of the generators you'll be plunged into darkness and a hopeless situation.\r\n\r\nThe screen display shows the view of one of your crew as well as their gun sight. Underneath that is a picture of that team member, their current ammunition level and a display for each human showing their current state of health and the number of the room they're in. These numbers are essential to find your way through the complex. I also found it useful to blast the doors and the locks to mark a route through the maze for the rest of the team to follow, since you haven't got time to ask directions when you're being chased by aliens.\r\n\r\nSome rooms have special significance, such as the armoury which automatically recharges your smart guns, the control and generator rooms that must be defended and the Queen's chamber that must be taken to win the game.\r\n\r\nThis is not an easy game to play as it demands almost total concentration coupled with a steady fire button finger and a cool nerve. One slip could cost you your entire mission.\r\n\r\nVery few games have such atmosphere that compel you to return for more and more until you finally succeed. Aliens is an excellent game based on a superb film and is undoubtedly the best licensed game yet produced.","ReviewerComments":[],"OverallSummary":"","Page":"54,55","Denied":false,"Award":"ZX Monster Hit","Reviewers":[],"ScreenshotText":[],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":null,"CompilationReviewScores":[]}]}]