[{"TitleName":"Apocalypse","Publisher":"Red Shift Ltd","Author":"Joey, Mike Hayes, Dino [UK]","YearOfRelease":"1983","ZxDbId":"0000222","Reviews":[{"Issue":{"Name":"Crash Issue 43, Aug 1987","Price":"£1","ReleaseDate":"1987-07-30","Editor":"Roger Kean","TotalPages":116,"HasCoverTape":false,"FlannelPanel":"Editor: Roger Kean\r\nAssistant Editor: Barnaby Page\r\nStaff Writers: Lloyd Mangram, Richard Eddy, Ian Phillipson, Ben Stone\r\nPhotographers: Cameron Pound, Michael Parkinson\r\nOffice: Sally Newman\r\nTechnical Editor: Simon N Goodwin\r\nAdventure: Derek Brewster\r\nPBM: Brendon Kavanagh\r\nStrategy: Philippa Irving\r\nLondon: John Minson\r\nContributors: Gareth Adams, Jon Bates, Robin Candy, Mel Croucher, Mike Dunn, Franco Frey, Dominic Handy, Nick Roberts, Mark Rothwell, Paul Sumner\r\n\r\nPRODUCTION\r\n\r\nProduction Controller: David Western\r\nArt Director: Gordon Druce\r\nIllustrator: Oliver Frey\r\nLayout: Tony Lorton, Mark Kendrick, Tim Croton, Seb Clare\r\nProcess and Planning: Matthew Uffindell, Jonathan Rignall, Nick Orchard\r\nAdvertisement Manager: Roger Bennett\r\nAdvertisement Assistant: Nick Wild\r\nSubscriptions: Denise Roberts\r\nMail Order: Carol Kinsey\r\n\r\nEditorial and Production: [redacted]\r\n\r\nMail Order and Subscriptions: [redacted]\r\n\r\nADVERTISING\r\n[redacted]\r\n\r\nTypesetting by The Tortoise Shell Press, Ludlow\r\n\r\nColour origination by Scan Studios [redacted]\r\n\r\nPrinted in England by Carlisle Web Offset, [redacted] - member of the BPCC Group.\r\n\r\nDistributed by COMAG, [redacted]\r\n\r\nNo material may be reproduced whole or in part without written consent of the copyright holders. We cannot undertake to return any written material sent to CRASH unless accompanied by a suitably stamped addressed envelope. Unsolicited written or photo material which may be used in the magazine is paid for at our current rates.\r\n\r\n©1987 Newsfield Limited\r\n\r\nCover by Oliver Frey"},"MainText":"APOCALYPSE\r\n\r\nProducer: Infogrames\r\nRetail Price: £9.95\r\n\r\nApocalypse seems to have a worthy pedigree - according to the instruction manual, it first appeared in 1983 on the Red Shift label. It's quite difficult for me to give a fair judgement of this one, because it's a two-player game only.\r\n\r\nThe full title is Apocalypse - The Game Of Nuclear Devestation, but the concept is more abstract than the specific settings suggest. The main program is a framework for four maps on different scales: Europe, the Caribbean, Britain and London. There are four scenarios of this kind, and the rulebook promises an expansion set with 'star systems' and 'Nether Earth'.\r\n\r\nBut there's little variety in the gameplay. One the European map you can move across entire countries and capture capital cities, the British map scales things down and lets you fight for the privilege of owning Liverpool, and the London map gives you the chance to take over Wimbledon and Games Workshop!\r\n\r\nEssentially, the players form from two to four empires, which can be given their own names; each empire then attempts to bring the whole map under its control, whether that's all of Europe or just London. The empire centres - cities and important districts - are distributed equally among the empires at the start of the game. The player can choose his own, or let the computer allocate the randomly.\r\n\r\nEach location has a revenue value, and the total revenue value of each empire's territory represents how much the player can spend on divisions, warships and nukes each turn.\r\n\r\nThe turn system is quite complex. The game gets under way with a deployment phase, where the players buy forces and position them around their empires. The phase which follows allows four subtly different methods of movement; irritatingly, forces can go one square at a time, and nuclear missiles, once deployed, can't be moved at all.\r\n\r\nUnits are not represented in the traditional pictorial fashion. Instead, the empire which controls each location square leaves its own symbol in the square, and the forces deployed there are indicated in a businesslike way by numbers. This does nothing for atmosphere, but it stops the map getting cluttered.\r\n\r\nThere are really two maps - an overview to move the cursor about, and a scrolling close-up in a small window where you can examine each location. This works well, though it looks dated.\r\n\r\nCombat occurs when one empire tries to occupy another's territory in the movement phase. This is only allowed if the attacker mobilises enough divisions, so kamikaze attacks aren't possible! There are different types of attack, and it seems the success of an attack depends largely on how much defence the opponent offers.\r\n\r\nThe genocidal player can choose not to bother with this sort of thing and launch a nuke instead. Predictably, this causes widespread devastation, indiscriminately destroys forces in the locations surrounding the target, and permanently reduces the revenue value of the affected area.\r\n\r\nThe instructions warn against nuking, but the advice isn't so sharply brought to life in Apocalypse as in, for instance, Theatre Europe. There's no instant over-retaliation from the computer, merely the possibility of annoying your human opponent.\r\n\r\nApocalypse is an odd blend a realism and fantasy. For a start, you're required to choose your millennium. You pluck a date out of thin air - and of course it bears no resemblance to real history and makes no difference to the game.\r\n\r\nIf you let the computer select empire centres for you, the result is an impossible intermingling of power bases which, despite the realistic maps, makes the game look abstract from the start. Apocalypse lacks atmosphere because of this conspicuous 'gamishness'.\r\n\r\nBut Apocalypse has some meat. Though the scenarios are really only different maps, they add the imaginative scope which many games lack. And the very fact that Apocalypse has been designed for expansion is impressive, though the necessity of having at least two players limits its appeal. It looks slightly old-fashioned, but it's well enough programmed (don't press BREAK, though!).\r\n\r\nThere's no point giving ratings to a computer game which doesn't function like other computer games, but I'd recommend Apocalypse as a good buy to those who are certain they'll have someone else to play it with.","ReviewerComments":[],"OverallSummary":"","Page":"51","Denied":false,"Award":"Not Awarded","Reviewers":[{"Name":"Philippa Irving","Score":"","ScoreSuffix":""}],"ScreenshotText":[{"Text":"Aggressive empire-building in Infograme's Apocalypse."}],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":null,"CompilationReviewScores":[]},{"Issue":{"Name":"Your Sinclair Issue 23, Nov 1987","Price":"£1.5","ReleaseDate":"1987-10-12","Editor":"Teresa Maughan","TotalPages":108,"HasCoverTape":false,"FlannelPanel":"Editor: Teresa Maughan\r\nArt Editor: Peter George\r\nProduction Editor: Lucy Broadbent\r\nTechnical Editor: Phil South\r\nSoftware Editor: Marcus Berkmann\r\nDeputy Art Editor: Darrell King\r\nEditorial Assistant: Angela Eager\r\nContributors: Richard Blaine, Audrey & Owen Bishop, Chris Donald, Mike Gerrard, Gwyn Hughes, ZZKJ, Tony Lee, Rick Robson, Peter Shaw, Rachael Smith, Mischa Welsh, Tony Worrall\r\nAdvertisement Manager: Mark Salmon\r\nAdvertisement Executive: Julian Harriott\r\nProduction Manager: Sonia Hunt\r\nManaging Editor: Kevin Cox\r\nPublisher: Roger Munford\r\nPublishing Director: Stephen England\r\n\r\nPublished by Dennis Publishing Ltd, [redacted] Company registered in England.\r\nTypesetters: Carlinpoint [redacted]\r\nReproduction: Graphic Ideas, London\r\nPrinters: Chase Web Offset [redacted]\r\nDistribution: Seymour Press [redacted]\r\n\r\nAll material in Your Sinclair ©1987 Felden Productions, and may not be reproduced in whole or in part without the written consent of the publishers. Your Sinclair is a monthly publication."},"MainText":"Command\n£9.95\nReviewer: Owen Bishop, Audrey Bishop\n\nEssentially a classical strategy game for two to four players (no computer-opponent). The map displays 24 strategic centres, divided between the players at the beginning. Your aim is to exapnd your empire by occupying the centres held by your opponent(s), while holding your centres against all-comers. Your revenue is derived from the centres and other areas you occupy and used to deploy army, navy or nuclear weapons. Spend you revenue wisely and deploy your forces where they will be the most effective. The more you expand your empire, the more revenue you obtain. Victory conditions are not built into the program. Suggestions are given in the manual and the players agree beforehand on how the winner is to be decided.\n\nThere are four scenarios, based on maps of Europe, Britain, London and the Caribbean, respectively. These present minor variations (naval strategy dominates the Caribbean scenario, for example) but, whether your are trying to capture Berlin, Battersea or Belize, the strategy is much the same. The London scenario seems intended for light-hearted play - nuking Paddington Station from a silo in Trafalgar Square is a little unrealistic, to put it mildly! in fact, in spite of the game's title, the nuclear aspect does not add anything to it. The effects of nuking are not as devastating as they would be in real life. It just provides a gambling slant in an otherwise sober game. Fortunately, players can agree to ignore nuclear weaponry altogether and concentrate on the basic strategic elements.\n\nThe manual is detailed and clear, but it makes the game sound much faster and more exciting that it really is. This is a game for the pensive player who is happy to sit for a half-hour or more making a move. The manual helpfully suggest that you set yourself up with a supply of tasty provisions before beginning to play. Meanwhile, the other players will be scoffing all the dainties! The movement system is slow and cumbersome which further reduces the pace. Control is menu-driven and easy to understand; if in doubt press '0' and you are returned to the main menu. Unfortunately, the frequently used '0' key is next to BREAK, so a keying inaccuracy puts you back into BASIC.\n\nThe maps are simple but adequate. Noises off are irritating - especially if you really are trying to think. Combat resolution appears to be based almost entirely on chance with a bit of bluff (poker players will like it, tacticians will hate it). Summing up, serious strategy with frills of the wrong sort.","ReviewerComments":[],"OverallSummary":"","Page":"94","Denied":false,"Award":"Not Awarded","Reviewers":[{"Name":"Owen Bishop","Score":"6","ScoreSuffix":"/10"},{"Name":"Audrey Bishop","Score":"6","ScoreSuffix":"/10"}],"ScreenshotText":[],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":[{"Header":"Graphics","Score":"5/10","Text":""},{"Header":"Playability","Score":"6/10","Text":""},{"Header":"Value For Money","Score":"6/10","Text":""},{"Header":"Addictiveness","Score":"5/10","Text":""},{"Header":"Strategy","Score":"6/10","Text":""},{"Header":"Overall","Score":"6/10","Text":""}],"CompilationReviewScores":[]},{"Issue":{"Name":"Your Spectrum Issue 2, Mar 1984","Price":"£0.95","ReleaseDate":"1984-02-16","Editor":"Roger Munford","TotalPages":98,"HasCoverTape":false,"FlannelPanel":"Editor: Roger Munford\r\nContributing Editor: Bruce Sawford\r\nTechnical Editor: Ron Smith\r\nSoftware Consultant: Gavin Monk\r\nEditorial Consultant: Andrew Pennell\r\nSub Editor: Nik Lumsden\r\nContributors: Toni Baker, Simon Goodwin, Mike Lord, Ian Beardsmore, Max Philips, Guy Kewney, Henry Budgett, Gary Marshall, Dilwyn Jones, Phil Manchester\r\nArt Editor: Jimmy Egerton\r\nArt Assistants: Steve Broadhurst, Mike Wilkes\r\nGroup Advertisement Manager: Jeff Raggett\r\nAdvertisement Managers: Shane Campbell, Gill Harris\r\nProduction Editor: Derek Cohen\r\nTypesetters: Anne Ashby, Maggie Kayley, Velma Miller\r\nProduction Manager: Sonia Hunt\r\nGroup Art Director: Perry Neville\r\nPublisher: Stephen England\r\nDistribution Manager: Colin James\r\nPublished by Sportscene Specialist Press Ltd, [redacted] Company registered in England. Telephone (all departments): [redacted]\r\nReproduction: Graphic Ideas, London\r\nPrinters: Chase Web Offset [redacted]\r\nDistribution: Seymour Press [redacted]\r\n\r\nAll material in Your Spectrum ©1984 Felden productions, and may not be reproduced in whole or in part without the written consent of the publishers. Your Spectrum is a bi-monthly publication and the third issue will be available during the second week of April 1984."},"MainText":"APOCALYPSE\r\nRed Shift\r\n£9.95\r\n\r\nA strategic wargame, based upon an original board game under licence. The plot centres around four opponents attempting world domination.","ReviewerComments":["Unimpressive graphics, with the use of colour reaching the same mediocre standards.\r\nStephen Cathrall","A cross between a computerassisted wargame and a sort of graphical strategy that uses block graphics. The game requires at least two players and could, in theory, last for years! I'd say it has only limited appeal.\r\r\r\nStewart McPherson","Very colourful, with cleverly-used block graphics, although it would have been nice to have seen more detailed pictures thrown in for good measure.\r\r\r\nPeter Shaw"],"OverallSummary":"","Page":"58","Denied":false,"Award":"Not Awarded","Reviewers":[{"Name":"Stephen Cathrall","Score":"","ScoreSuffix":""},{"Name":"Stewart McPherson","Score":"","ScoreSuffix":""},{"Name":"Peter Shaw","Score":"","ScoreSuffix":""}],"ScreenshotText":[],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":null,"CompilationReviewScores":[]},{"Issue":{"Name":"Crash Issue 1, Feb 1984","Price":"£0.75","ReleaseDate":"1984-01-19","Editor":"Roger Kean","TotalPages":112,"HasCoverTape":false,"FlannelPanel":"Editor: Roger Kean\r\nDesigner: Oliver Frey\r\nConsultant Editor: Franco Frey\r\nStaff Writers: Lloyd Mangram, Rod Bellamy\r\nAdvertisement Manager: John Edwards\r\nProduction Designer: Michael Arienti\r\n\r\n©1984 Newsfield Ltd.\r\n\r\nCrash Micro is published monthly by Newsfield Ltd. [redacted]\r\n\r\nNo material may be reproduced in whole or in part without written consent from the copyright holders.\r\n\r\nMono printing, typesetting & finishing by Feb Edge Litho Ltd. [redacted]\r\nColour printing by Allan-Denver Web Offset Ltd. [redacted].\r\nColour origination by Scan Studios, [redacted]\r\nDistributed by Wells Gardner, Darton & Co. [redacted]\r\n\r\nSubscriptions: 12 issues £9.00 UK Mainland (post included)\r\nEurope: 12 issues £15 (post included).\r\nSingle copy: 75p\r\n\r\nIf you would like to contribute to CRASH please send articles or ideas for projects to the above address. Articles should be typed. We cannot undertake to return them unless accompanied by a stamped addressed envelope\r\n\r\nCover Illustration:Oliver Frey"},"MainText":"Producer: Red Shift, 48K,\r\n£5.95\r\n\r\n'Apocalypse' is a game of nuclear devastation. It's a long two-sided load and a game for 1-4 players. It can take between four hours and four years to play and if you outgrow the scenario, Red Shift have others to add on. A large selection of maps allows the action to take place anywhere and at almost any period. You set up the empires, their centres, their armies and weaponry. This is a very flexible game of real war strategy which should keep the addict going for a long, long time. Very good value.","ReviewerComments":[],"OverallSummary":"","Page":"61","Denied":false,"Award":"Not Awarded","Reviewers":[],"ScreenshotText":[],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":null,"CompilationReviewScores":[]},{"Issue":{"Name":"Crash Issue 2, Mar 1984","Price":"£0.75","ReleaseDate":"1984-02-23","Editor":"Roger Kean","TotalPages":112,"HasCoverTape":false,"FlannelPanel":"Editor: Roger Kean\r\nDesigner: Oliver Frey\r\nConsultant Editor: Franco Frey\r\nStaff Writers: Lloyd Mangram, Rod Bellamy\r\nAdvertisement Manager: John Edwards\r\nProduction Designer: Michael Arienti\r\n\r\n©1984 Newsfield Ltd.\r\n\r\nCrash Micro is published monthly by Newsfield Ltd. [redacted]\r\n\r\nNo material may be reproduced in whole or in part without written consent from the copyright holders.\r\n\r\nMono printing, typesetting & finishing by Feb Edge Litho Ltd. [redacted]\r\nColour printing by Allan-Denver Web Offset Ltd. [redacted].\r\nColour origination by Scan Studios, [redacted]\r\nDistributed by Wells Gardner, Darton & Co. [redacted]\r\n\r\nSubscriptions: 12 issues £9.00 UK Mainland (post included)\r\nEurope: 12 issues £15 (post included).\r\nSingle copy: 75p\r\n\r\nIf you would like to contribute to CRASH please send articles or ideas for projects to the above address. Articles should be typed. We cannot undertake to return them unless accompanied by a stamped addressed envelope\r\n\r\nCover Illustration:Oliver Frey"},"MainText":"Producer: Red Shift, 48K,\r\n£5.95\r\n\r\n'Apocalypse' is a game of nuclear devastation. It's a long two-sided load and a game for 1-4 players. It can take between four hours and four years to play and if you outgrow the scenario, Red Shift have others to add on. A large selection of maps allows the action to take place anywhere and at almost any period. You set up the empires, their centres, their armies and weaponry. This is a very flexible game of real war strategy which should keep the addict going for a long, long time. Very good value.","ReviewerComments":[],"OverallSummary":"","Page":"63","Denied":false,"Award":"Not Awarded","Reviewers":[],"ScreenshotText":[],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":null,"CompilationReviewScores":[]},{"Issue":{"Name":"Crash Issue 4, May 1984","Price":"£0.75","ReleaseDate":"1984-04-19","Editor":"Roger Kean","TotalPages":128,"HasCoverTape":false,"FlannelPanel":"Editor: Roger Kean\r\nConsultant Editor: Franco Frey\r\nProduction Designer: David Western\r\nArt Editor: Oliver Frey\r\nClient Liaison: John Edwards\r\nStaff Writer: Lloyd Mangram\r\nContributing Writers: Matthew Uffindel, Chris Passey\r\nSubscription Manager: Denise Roberts\r\n\r\n©1984 Newsfield Ltd.\r\nCrash Micro is published monthly by Newsfield Ltd. [redacted]\r\n\r\nTelephone numbers\r\nEditorial [redacted]\r\nSubscriptions [redacted]\r\nAdvertising [redacted]\r\nHot Line [redacted]\r\nNo material may be reproduced in whole or in part without written consent from the copyright holders.\r\n\r\nColour origination by Scan Studio, [redacted]\r\nPrinted in England by Plymouth Web Offset Ltd, [redacted].\r\nDistribution by Comag, [redacted]\r\nAdditional setting and process work by The Tortoise Shell Press, [redacted].\r\n\r\nSubscriptions: 12 issues £9.00 UK Mainland (post free)\r\nEurope: 12 issues £15 (post free).\r\n\r\nWe cannot undertake to return any written or photographic material sent to CRASH MICRO unless accompanied by a stamped addressed envelope.\r\n\r\nCover by Oliver Frey"},"MainText":"Producer: Red Shift, 48K\r\n£5.95\r\n\r\n'Apocalypse' is a game of nuclear devastation. It's a long two-sided load and a game for 1-4 players. It can take between four hours and four years to play and if you outgrow the scenario, Red Shift have others to add on. A large selection of maps allows the action to take place anywhere and at almost any period. You set up the empires, their centres, their armies and weaponry. This is a very flexible game of real war strategy which should keep the addict going for a long, long time. Very good value.","ReviewerComments":[],"OverallSummary":"","Page":"68","Denied":false,"Award":"Not Awarded","Reviewers":[],"ScreenshotText":[],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":null,"CompilationReviewScores":[]},{"Issue":{"Name":"Sinclair User Issue 63, Jun 1987","Price":"£1","ReleaseDate":"1987-05-18","Editor":"David Kelly","TotalPages":116,"HasCoverTape":false,"FlannelPanel":"Editor: David Kelly\r\nDeputy Editor: Graham Taylor\r\nStaff Writer: Jim Douglas\r\nStaff Writer: Tamara Howard\r\nArt Editor: Gareth Jones\r\nAdventure Help: Gordo Greatbelly\r\nZapchat: Jon Riglar\r\nHelpline: Andrew Hewson\r\nContributors: Richard Price, Andy Moss, Gary Rook\r\nHardware Correspondent: Rupert Goodwins\r\nAdvertisement Manager: Louise Fanthorpe\r\nDeputy Advertisement Manager: Mike Corr\r\nProduction Assistant: Alison Morton\r\nAdvertisement Secretary: Linda Everest\r\nSubscriptions Manager: Carl Dunne\r\nPublisher: Terry Pratt\r\n\r\nTelephone [redacted]\r\n\r\nSinclair User is published monthly by EMAP Business & Computer Publications\r\n\r\nCover Illustration: John Higgins\r\n\r\nTypeset by PRS Ltd, [redacted]\r\nPrinted by Nene River Press, [redacted]\r\nDistributed by EMAP Publications Ltd.\r\n\r\n©Copyright 1986 Sinclair User ISSN No 0262-5458\r\n\r\nABC 90,215 July-Dec 1985"},"MainText":"Label: Command\r\nAuthor: Red Shift\r\nPrice: £9.99\r\nMemory: 48K/128K\r\nReviewer: Gary Rook\r\n\r\nApocalyse was originally (still is, in fact) a boardgame, published by Games Workshop. A couple of years back, a software house called Red Shift produced a computerised version and now Command Software (part of Infogrames) is reissuing it.\r\n\r\nIn effect, Apocalypse is four games in one, or more accurately the same game with four different maps to play on. The different maps are Europe, the Caribbean, Great Britain and London. In each case, the objective is the same - to use the force of arms, represented by your land and naval forces and your nuclear strike force, to dominate the playing area. The game mechanics are the same in each scenario.\r\n\r\nThe best way to describe the game, is to give a brief idea of how just one of the scenarios works - the European map is probably the simplest. Most of the screen is taken up with a large strategic map divided into squares, representing deserts, mountains, rural areas, the sea and cities.\r\n\r\nTo the right of the strategic map is a smaller, tactical map showing the area immediately around the cursor. It lists the value of each region shown, and the troop strengths in each square At the beginning of the game, the players, however many there are taking part, divide up the cities on the board between them and build forces, either divisions, navies or nukes.\r\n\r\nMovement of units is simple - cursor over an area where you have troops, choose how many divisions or ships you want to move, then cursor to destination and hit Fire and combat occurs when you try to move into an enemy occupied square. The number of units you can move into a space depends on what sort of terrain it contains. You need more armies to attack cities, for example. There are two ways of deciding who wins a combat. In one, the attacker picks a number and the defender then tries to guess what that number is. The second combat method is the same, except the computer randomly chooses numbers for you.\r\n\r\nApocalypse is now a couple of years old and looks it. Unlike many other wargames being produced now. It's ugly as hell. Squares are very, well, square looking. And the movement system can be very tiresome as it takes a very long time for orders to be input. Add to that the fact that you've got to have two to four players - no one player option - and it should be a dodo. But actually it isn't, mainly because you get so much for your dosh. But in addition to the cash value, the games are really more than playable, if you don't mind the length of time they take.","ReviewerComments":[],"OverallSummary":"A slow game, but you certainly get plenty for your money. Dated now but based on a strong board game.","Page":"99","Denied":false,"Award":"Not Awarded","Reviewers":[{"Name":"Gary Rook","Score":"4","ScoreSuffix":"/5"}],"ScreenshotText":[],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":[{"Header":"Overall","Score":"4/5","Text":""}],"CompilationReviewScores":[]},{"Issue":{"Name":"Personal Computer Games Issue 9, Aug 1984","Price":"£0.75","ReleaseDate":"1984-07-19","Editor":"Chris Anderson","TotalPages":116,"HasCoverTape":false,"FlannelPanel":"Editor: Chris Anderson\r\nProduction Editor: Roderick George\r\nArt Editor: Ian Findlay\r\nTechnical Editor: Stuart Cooke\r\nStaff Writers: Steve Cooke, Peter Connor, Bob Wade\r\nEditorial Assistant: Samantha Hemens\r\nSoftware Consultant: Tony Takoushi\r\nCartoons: Kipper Williams\r\nScreenshots: Chris Bell\r\nCover Illustration: David Hine\r\nGame-of-the-month poster: Jeff Riddle\r\nGroup Editor: Cyndy Miles\r\nArt Director: Jim Dansie\r\nGroup Publisher: John Cade\r\nPublisher: James Scoular\r\nAssistant Publishing Manager: Jenny Dunne\r\nAdvertisement Manager: Mark Satchell\r\nAssistant Advertisement Manager: Jan Martin\r\nGroup Advertisement Manager: Pete Goldstein\r\nAdvertisement Production: Simon Carter\r\nSales Executives: Ian Cross, Marion O'Neill\r\n\r\nPublished by VNU Business Publications, [redacted]. Typesetting by Spectrum Typesetting, [redacted] Origination by Fourmost Colour [redacted]. Printed and bound by Chase Web Offset [redacted]. © VNU Business Publications 1984."},"MainText":"MICRO WARS\r\n\r\nFancy yourself as a latter-day Napoleon, staging intergalactic time-travelling battles or controlling the Roman Empire? Stuart Cooke surveys the latest in war games.\r\n\r\nIf you have bit blasted too many aliens for one day, or have got lost in that dratted maze in the new adventure you've bought and are about to see just how well your computer will fly through the window, why not give these 'normal' computer games a rest. Load in a strategy game and find Out just how well you would have run the Roman Empire. Take control of a group of soldiers or travel through lime and fight out battles in outer space or on planets you have never heard off.\r\n\r\nWar games with scenarios similar to the above as well as many others can be found for nearly every micro. Some games will allow you to play against the computer. In others you have to play against a partner: why not have a go at killing your beloved brother, wife etc? In fact buying war games could lead to the end of family arguments as we know them. Whole families could be crowded around the television waiting to see who will win the War of the Roses and settle the latest family feud.\r\n\r\nUntil very recently most of the computer-moderated war games were shipped over from the US. All of these, although of very good quality, tended to be of a very high price. A number of British manufacturers have now produced many excellent packages, all marketed at a price far lower than their American counterparts. This feature will concentrate on products from these companies.\r\n\r\nOne British company who have really made an impact on the war gaming market are Lothlorien. Titles from this company are available fur nearly every machine: Commodores, BBCs, Dragons etc. Most of them seem to make a first appearance on the Spectrum and are converted onto the other machines at a later date.\r\n\r\nCONVENTIONAL WARRFARE\r\n\r\nConfrontation is possibly one of the most popular games from this Stockport-based company. This is a two player game of conventional 20th century warfare. One player controls the Blue forces and the other player the Red. One nice feature of this game is the option to play on a black and white TV set. If you wish to play in black and white, the pieces of the player on the left hand side of the screen are shown in inverse to make them distinguishable from those of his opponent.\r\n\r\nEach player takes control of a number of forces. The forces consist of mobile units made up of tanks, mechanised infantry and engineers. Each type of unit has its own particular use, for example it would be of very little use trying to destroy a plane with a paratrooper, but the flak guns can easily inflict damage on enemy aircraft.\r\n\r\nThe playing area is very clear with rivers, mountains, cities, bridges and other useful landmarks displayed. Pieces on the board belonging to each player are only displayed when they are actually being moved, which means that if the players agree not to look at the TV while the enemy is moving you will not know which piece is what type of unit before it is adjacent. All pieces are represented by a little picture when they are being controlled. The number of squares they can be moved and their type are displayed at the bottom of the screen.\r\n\r\nOne of the nicest and fairly original features this game offers is the option to design your own scenario. Once the program has loaded there is no map held in memory and you can load the one supplied by Lothlorien or design one of your own. Map design is very easy: the cursor keys are used to move a cursor around the playing area and the designer can place cities, rivers, mountains etc by pressing the appropriate key.\r\n\r\nBecause the map can be designed by the user there are no set victory conditions. You can play until all forces have been destroyed for a set number of moves, until a particular point is captured; in fact the list of possibilities is almost endless. Since the finishing conditions are left to the players a game could last five minutes, five hours, or until you wish to end.\r\n\r\nConfrontation is an excellent game, available on a number of popular micros. Because the scenario is left up to the player it is an ideal program for both beginner and expert war gamer.\r\n\r\nZAP THE YANKEES\r\n\r\nJohnny Reb is another popular game produced by Lothlorien. This game can be played against another player or the computer. On the Commodore 64 version you can even get the computer to take both sides. The game is set in the American Civil War and is a fairly small skirmish at a river crossing between the Union and Confederate forces. To win at this game you must capture the enemy's flag. though it is possible to set a limit upon the number of possible moves, the winner being the person (computer) who has scored the most hits against the enemy.\r\n\r\nUnfortunately, this game lacks some of the polish you find in Confrontation. Numbers surround the playing area making it easy to judge distances when moving but making the display very messy. The only symbols found on the map other than the various pieces controlled by each player are the river, marshland, forest and a bridge. None of these graphics is used very well and the video display seems to lack a great amount of interest.\r\n\r\nEach player is supplied with a number of playing pieces. These have differing movement and fighting capabilities, depending on what they represent. Artillery pieces are the only ones that can fire at the enemy from a distance. Unfortunately you can only shoot in eight directions and therefore have to be fairly close to, or in line with, the enemy or the shot disappears off the screen before you can hit him. It would have been nice to be able to select your target by moving a cursor around to point at the destination square.\r\n\r\nFirst impressions led me to believe that this was a very simple and boring game. After a few sessions at the keyboard, however, I found there was a lot more to it than you would expect. To start with, a lot of forward planning is required so you can line yourself up with the enemy to shoot at him face to face. Secondly, you must make sure that whenever you do move one of your pieces you are not placing your man in the firing line of the enemy's guns.\r\n\r\nEven though the graphics of this game are simple. and it is simple to understand, a lot of skill is required. It will take quite a while before you can totally master the game, if ever. This program is also a little slow - you get the impression that when the computer is playing one of the sides and you are waiting for it to use some of its artillery fire against your men you could have overrun the whole of its army and returned home to your farmstead.\r\n\r\nLEGIONS ON THE MARCH\r\n\r\nASP Software is another firm which has begun to put a lot of strategy games on the market. Their latest release is The Fall of Rome, another game available for most popular micros.\r\n\r\nThe outside cover for this game states that you are supplied with a Free Colour Map, so you open up the box expecting to find some painstakingly drawn map of the Roman Empire only to find that the printed instructions are larger than the map. Don't go fixing the free map to your bedroom wall, you'll only lose it and it comes in very handy when playing the game.\r\n\r\nThe Fall of Rome bears a slight resemblance to the well worn Dictator type of game. Each game turn you have to enter the number of legions you wish to buy and maintain in each area of the Empire. Income varies from region to region and the presence of unfriendly tribes will reduce it. This games goes a step further than the normal buy or sell that you normally have to do in a Dictator game in that you are allowed to move your men around. During the movement phase you can move your forces into any neighbouring province. Once you have moved the computer will move the enemy tribes. By moving to an area controlled by the enemy you can fight against him.\r\n\r\nEven though the graphics are good and the responses to input faster than on some other games The Fall of Rome does not give you the feeling that you are actually in control. If you had a little more control of how each legion fought then you would have a better game. Instead you get the impression that you are having an exercise in entering numbers.\r\n\r\nHEAVY METAL\r\n\r\nKriegspiel from Beyond Software runs on the Dragon 32 and is one of the few games around that exploits graphic facilities to the full.\r\n\r\nThe scenario puts you in control of a heavy tank division. You have the option of your opponent either being another player or the computer. Whoever plays, the object of the game is to capture the other player's city HQ. All the action takes place on a high resolution map that scrolls around the screen, which means that the battlefield is actually much bigger than the small area you can see. Three different maps are supplied with the game, and it is very simple to choose the one you wish to use.\r\n\r\nEach player is put in control of 15 pieces. These consist of four heavy tanks, five light tanks and six infantry. It is possible to increase the number of playing pieces up to 25, after every round the player in control of the most friendly towns will gain extra men.\r\n\r\nIt is possible to enter all of your moves by either the keyboard or by using a joystick. Use of a joystick makes all entries to the computer very quick and speeds up play considerably.\r\n\r\nProbably one of the most original aspects of this game is the way in which the weather affects play. It's realistic - and very annoying. You just think that you are about to make a surprise attack on an enemy when it begins to rain and you find all your powers of movement halved. If it snows, for example, your movement is halved and you have no transport.\r\n\r\nThe instructions supplied with the game are very clear, therefore a beginner to war games should soon be playing. So that you can tell which area is which on the map a key is given on the instructions; remember it's a lot harder to move through a forest than through a desert.\r\n\r\nThis is a very well-presented game and its clear, colourful graphics should appeal to everyone. If you are a Dragon owner then you should buy this game just so that you can see what your machine is really capable of. For those of us who don't own a Dragon, would Beyond please bring out versions for other machines.\r\n\r\nProbably one of the most popular war games that you can buy is Apocalypse from Games Workshop. Red Shift are producing the computer game version of Apocalypse under licence.\r\n\r\nWORLD WAR III\r\n\r\nIf you are one of those unfortunate people who have never played Apocalypse then the subtitle given to the game should give you the whole story: The Game Of Nuclear Devastation. You are told, however, that use of nuclear weapons could cause a catastrophic chain reaction.\r\n\r\nApocalypse allows between one and four players to take part, however, if only one player is involved he will have to take two sides, the computer will not play against you.\r\n\r\nEach player is given a certain amount of power points, the number he gets depending on how many centres he occupies and the type of land that his centre is on.\r\n\r\nThere are three different maps provided with the game for your warfare to take place upon. These maps cover areas such as Britain, Europe and London. Red Shift have realised the potential of this game and are producing expansion cassettes containing more maps. Expansion maps cover areas such as US, Galactic, Napoleon's Campaigns and War in the Pacific. The BBC version does not yet have all the expansion packs available.\r\n\r\nThe maps used in Apocalypse cover most of the screen and are very clear. The map shows all the occupied areas and under which player's control they are. When making moves it is possible to move a cursor around the screen and an exploded view of the cursor position is given, showing which forces are situated there. This is very easy to use but tends to be a little slow and it is easy to forget which forces you have where, it's a law playing area to try to find out every time.\r\n\r\nThe only 'major' flaw in this game was found in the BBC version. The symbol of each of the players is positioned on any area he owns. Quite regularly the background colour was the same as the character's piece making it difficult to see exactly who was in control of the square.\r\n\r\nApocalypse is a very involved game and it will take quite a time for a beginner to master play. The instructions are good and clear and give examples wherever possible. The fact that you can purchase extra maps should add to the length of time before this game is put on the shelf and forgotten about.\r\n\r\n25TH CENTURY RAIDERS\r\n\r\nRebelstar Raiders comes from the same stable as Apocalypse. This game takes place in the 25th century. You are given three different scenarios: Moonbase, Starligdale and the Final Assault. Two players are needed to play, each having control of between 20 to 30 characters. Every character in this game has his/its own name and weapon and characteristics.\r\n\r\nAll inputs to the computer are very easy. To get information on a particular character all you need to do is place the cursor over the player in question and press the I key. If you wish to find out about the character's weapon you press the P key.\r\n\r\nBecause each of the maps is different, the victory conditions differ although a specific object has to be destroyed or protected in each of them.\r\n\r\nThis is a game that you need at least an hour to play, but it is worth it when you guide one of your men around a corner and blast three of your opponent's men into little pieces. Rebelstar Raiders is a challenging and very enjoyable game.","ReviewerComments":[],"OverallSummary":"","Page":"100,101,102","Denied":false,"Award":"Not Awarded","Reviewers":[{"Name":"Stuart N Cooke","Score":"","ScoreSuffix":""}],"ScreenshotText":[],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":null,"CompilationReviewScores":[]},{"Issue":{"Name":"ZX Computing Issue 12, Apr 1984","Price":"£1.95","ReleaseDate":"1984-03-29","Editor":"Ray Elder","TotalPages":156,"HasCoverTape":false,"FlannelPanel":"Editor: Ray Elder\r\nEditorial Assistant: Fiona Eldridge\r\nGroup Editor: Wendy J Palmer\r\nAdvertising Manager: Barry Bingham\r\nDivisional Advertising Manager: Beverley McNeill\r\nCopy Controller: Ann McDermott\r\nManaging Editor: Ron Harris\r\nChief Executive: T J Connell\r\n\r\nOrigination and design by MM Design & Print, [redacted]\r\nPublished by Argus Specialist Publications Ltd, [redacted]\r\n\r\nZX Computing is published bi-monthly on the fourth Friday of the month. Distributed by: Argus Press Sales & Distribution Ltd. [redacted]. Printed by: Garnett Print, Rotherham and London.\r\n\r\nThe contents of this publication including all articles, designs, plans, drawings and programs and all copyright and other intellectual property rights therein belong to Argus Specialist Publications Limited. All rights conferred by the Law of Copyright and other intellectual property rights and by virtue of international copyright conventions are specifically reserved to Argus Specialist Publications Limited and any reproduction requires the prior written consent of the Argus Specialist Publications Ltd.\r\n\r\n©Argus Specialist Publications Limited 1984"},"MainText":"APOCALYPSE\r\nRed Shift\r\nGreg Turnbull\r\n\r\nApocalypse is the new strategic wargame program for 2-4 players from Red Shift. The program comes in a sturdy box with a full 16 page user manual. Tape side A loads the main program and the prompt to load one of the four available maps on side B (Europe, Great Britain, the Caribbean and London). Once the map is loaded you must select the play date from 0 to 7999 AD, the number of players' names (and symbols for the map display), then select the empire centres (of the 24 names offered). Each centre (and all squares) is worth between 0 and 9 revenue points, depending on the location (desert: low, centre: high). These points are the currency of the game.\r\n\r\nThe screen shows the year and quarter currently being played, player number and decision information, main map plus symbols for each players' areas, the player's power points (sum total of all revenue points) and an exploded window of the current cursor position plus surrounding squares. At the start of each quarter the power points give each player a revenue which he can spend on troops, warships or nuclear missiles. There are four phases to each quarter:\r\n\r\n1. Nukes phase where nukes can be be seen on the map and launched if required. (If this is done, the target square is destroyed and all 8 surrounding squares as well.)\r\n\r\n2. Deployment phase where the player can build up armies or fleets on the squares he owns.\r\n\r\n3. Movement phase where the player can move any army or fleet to occupy new territory (and so build up his total revenue points), or may attack another player's area. (Movement of each force is limited to a certain amount for each turn). If an attack is made, the Combat phase occurs where both players can choose a number (from 1 to 9) without letting each other see the value chosen. This then determines who wins the conflict (alternatively the computer can be left to make the decision).\r\n\r\n4. End Turn phase where a player may challenge the next to concede.\r\n\r\nDuring the main deployment/movement phases of the game, the exploded window is used to observe the strengths of each square (this is scrolled at a rate of 1 or 3 squares, in any direction, by the use of cursor keys). Victory can be decided by the number of names of the centres captured, or the total number of revenue points built-up, or the destruction of the opponent's forces.\r\n\r\nThe program is a complex wargame that can last from a few hours to a few days depending on how involved you get with it, as it is highly addictive. Luckily, a save game facility is included. It is also easy to break in and list the program with LIST 2, this is endorsed by Red Shift as they welcome any ideas on improvements to the program and will even supply a listing if you send an sae.\r\n\r\nIf you get tired of playing on one map there are three others to choose from, although every game will of course be different - unlike arcade games. Each map demands different tactics: the Caribbean needs warships and control of the ports. Great Britain relies more on the troop movements. Also, the Nukes option does not have to be used in a game.\r\n\r\nIf after many weeks of play you need other maps or you are getting too used to them, there are expansion tapes available. Volume 1 contains maps for USA, SE Asia, Africa, Arctic Circle, Star systems and Nether Earth. Volume 2 has historical scenarios such as the fall of Rome, Napoleon's campaigns, the Pacific War and 1984. Red Shift say that they will be altering the rules of play in these further expansions to add to the interest for seasoned players. Plus if you need any help there is a telephone number to ring for advice from Dr Strangelove!\r\n\r\nOverall, at £9.95, this is an excellent program which will give you many hours of enjoyment especially as the game is constantly expanding and looking for ways in which to be improved. As such, it is highly recommended but it must be noted that some of the recent tapes will not load due to poor tape duplication processes. If you get one of these tapes (as I did) then just telephone Red Shift and they will very quickly replace the tape.\r\n\r\nFor further information on the cassettes reviewed in this article you can write to the following addresses:\r\n\r\nSilversoft Ltd, [redacted].\r\n\r\nNew Generation Software, [redacted].\r\n\r\nRed Shift, [redacted].\r\n\r\nArtic Computing, [redacted].\r\n\r\nAutomata UK Ltd, [redacted].\r\n\r\nAbacus Programs, [redacted].\r\n\r\nBug Byte, [redacted].\r\n\r\nSoftek Software, [redacted].\r\n\r\nPSS, [redacted].","ReviewerComments":[],"OverallSummary":"","Page":"49","Denied":false,"Award":"Not Awarded","Reviewers":[{"Name":"Greg Turnbull","Score":"","ScoreSuffix":""}],"ScreenshotText":[],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":null,"CompilationReviewScores":[]},{"Issue":{"Name":"Micro Adventurer Issue 7, May 1984","Price":"£0.75","ReleaseDate":"1984-04-19","Editor":"Graham Cunningham","TotalPages":52,"HasCoverTape":false,"FlannelPanel":"Editor: Graham Cunningham\r\nAssistant Editor: Carmel Anderson\r\nSoftware Editor: Graham Taylor\r\nMaster Adventurers: Tony Bridge, Mike Grace\r\nEditorial Secretary: Cleo Cherry\r\nAdvertisement Manager: David Lake\r\nAdvertisement Executive: Simon Langston\r\nAdministration: Theresa Lacy\r\nManaging Editor: Brendon Gore\r\nPublishing Director: Jenny Ireland\r\nTelephone number (all departments): [redacted]\r\nUK Address: [redacted]\r\nUS Address: [redacted]\r\nSubscriptions: UK £10.00 for 12 issues, overseas surface (excluding US and Canada) £16 for 12 issues, US and Canada air-lifted US$33.95 for 12 issues.\r\n\r\nMicro Adventurer is published monthly by Sunshine Books, Scot Press Ltd. Typesetting by In-Step Ltd, [redacted]. Printed by Eden Fisher (Southend) Ltd, [redacted]. Distributed by SM Distribution, [redacted].\r\n\r\nISSN 0265-4156\r\n\r\nRegistered at the Post Office as a newspaper.\r\n\r\n© Sunshine Books 1984"},"MainText":"A GAME WITH AN UNLIMITED LIFE\r\n\r\nA wargame that promises entertainment for months is how Tony Bridge describes Apocalypse in the review below.\r\n\r\nThe trouble with most strategic-tactical wargames, compared with arcade games, is that once the solution is found, the game is usually consigned to a deep drawer. It has lost any surprise.\r\n\r\nRed Shift have come up with a novel solution to this. Apocalypse is a game for 1-4 players - an interesting departure in itself, but solo players should be warned that solo play is, as they say, difficult. The game is produced in conjunction with Games Workshop. Available for the Spectrum 48K and BBC B what makes it particularly rewarding is that expansion kits are available which effectively give the game an unlimited life?\r\n\r\nThe master program comes in a stout box, roughly the size of two cassettes, which in my opinion is the best method of packaging nowadays: neat, endurable, good-looking and manageable. It costs £9.95.\r\n\r\nIn computer wargaming, as in board wargaming, bigger is often thought to be best, and Red Shift draw your attention to the fact that, with expansion modules, the whole outfit will give you over 400K of program and data. That should be enough for anybody.\r\n\r\nThe main, skeleton program is loaded first (during which you may choose to see the ads), after which one of the four scenarios contained in the master pack is loaded. You may elect to start wars in Europe, Britain, London or the Caribbean (I would have thought the Middle East would be more appropriate here). The idea is that, although the maps may differ, the game mechanics remain the same from map to map.\r\n\r\nTo start the game, players choose the millennium in which they wish to destroy the world: from 0AD (were nuclear weapons a problem then?) to 7999 AD. Then they decide on names for their empire, after which one of 10 symbols is given to each domain. Twenty-four empire centres are flashed on to the screen in quick succession, with each player attempting to grab one. If your reflexes are slow, you may find that you have got Tunis instead of Vienna. This carries on until all centres are occupied. I would have liked to have seen this come about as a result of strategy and territory-winning, rather than quickness of the hand. As it is, there seems to be little chance of coherent strategy at this stage.\r\n\r\nThen the game proper begins. Each player deploys his armies, expanding during the course of the game from his chosen centres. In one corner of the screen is a box which shows a magnified, nine-square view of the area with information on each unit at the present location, underneath a cursor which the player can move around a screen.\r\n\r\nNow old board wargamers (or old bored wargamers, or old BALD wargamers) are on familiar ground. The units look just like those little cardboard counters, with the strength of the unit displayed next to a little graphic symbol. The unit may be either navy, army or nuke.\r\n\r\nDuring the deployment phase, new units may be built, depending on the revenue at the location (urban areas generating more than desert areas, and so on; the presence of nuclear weapons drastically reduces that area's earning capability. After all, who wants to live and work at ground zero).\r\n\r\nAfter building and deployment comes moving and combat. All this is familiar ground - terrain affects movement, and the outcome of combat is decided by the players choosing one of several options. This is where the usual stumbling-block of multi-player computer games is met. At some point, everyone has to turn away while the current player makes his secret entry.\r\n\r\nCombat in Apocalypse is a sort of scissors-and-paper game, comprising a secret input by attacker and defender of one from a list of numbers, followed by the matching of the options selected. If the defender has chosen the same option as the attacker, then the defender wins. If he underestimates the attack, the attacker wins, but may suffer some casualties. However, if the defender overestimates then the attacker wins outright. The solo player may ask the computer to launch its own attack and defence systems, in which case, all you have to do is sit back and watch everything happen.\r\n\r\nThis is all pretty much like any other board game, but Apocalypse, as you will have realised, has a nuke capability. At any time during his move, a player may decide to launch a pre-emptive nuclear strike (the manual, reassuringly, warns against the consequences) but doing so may well precipitate the final conflagration.\r\n\r\nCOMPLEX RULES\r\n\r\nThe manual is generally quite good though a little confusing in certain areas. It states that there are three basic sets of victory conditions then goes on to list just two. The first is the fast game, which consists of players fighting swift actions to occupy a certain number of (named) centres. No provision is made here for solo play. The second is the long game, which consists of an economic battle in which the players aim for a target revenue.\r\n\r\nThe rules are fairly complex, and so should appeal to refugees from the game board. Play ability, too, is good, and benefits from the colourful graphics: the manipulation of the various modules is a little awkward, and you may find yourself loading and reloading the programs a tedious chore from cassette.\r\n\r\nHowever, Apocalypse and its attendant modules are extremely good value. The initial program will cost you, as mentioned, £9.95. There are, at the moment, three expansion modules available, each containing several new maps. These are £4.95 each, which is good value for the first volume since it contains USA, SE Asia, S Africa, the Arctic Circle, Star Systems, the Nether Earth, a great selection. But subsequent volumes seem a little mean, offering, as they do, just two maps each, these cover the Fall of Rome, Napoleon's campaigns, the War in the Pacific, as well as 1984. With others to follow, no-one can complain about Apocalypse wearing out.\r\n\r\nThe maps are accessed by, first of all, loading the main program, and then the desired expansion kit. A sheet of instructions with the expansion kits gives victory conditions (which are different in each case) for each map and hints on how to play for the victory. The play mechanics, however, are the saute for all the maps.\r\n\r\nSo, for instance, in the Galactic module, the player moves around a map of deep space, in which the empire centres are not earthly cities, like most of the others (with the exception of the Nether Earth scenario) but stars and planets. Learn the mechanics of the original tape, and the rest follows on. This is rather like the good old board games from Avalon Hill and SSI. Although the loading can be a little tricky, once play is started, everything is pretty straightforward.\r\n\r\nTo take a detailed look at just one of the scenarios, Decline and Fall, we can see that this is all about the dread Goths and Sassanids, against the Romans.\r\n\r\nThe map displays Europe in 286 AD, and the game is played through quarterly periods, and the play follows the same shape as that in the Master Module. There are certain details, however, in Decline and Fall, one being the emergence of disease. At the start of each quarter there is a random chance of plague occurring, and if this does indeed happen the effects will last for five periods.\r\n\r\nUp to three plague areas may be effected at any one time, and troops within these areas will also be adversely affected. Combat, too, is slightly different, in that Roman Legions, if stronger than 10 divisions, may regroup after a wrong defence by their commander, and re-attack. The other scenarios have their own victory conditions, and their own anomalies.\r\n\r\nINSTRUCTIONS\r\n\r\nThough the original, Master Module is lavishly packaged, with a good manual, the expansion kits come in ordinary cassette boxes, with a sheet of photocopied instructions - not very inspiring.\r\n\r\nAll in all, however, what this adds up to is a game system which should keep anyone happy for many months. If you are fed up with saving the world from marauding alien hordes and want instead to start the final holocaust.","ReviewerComments":[],"OverallSummary":"","Page":"39,40","Denied":false,"Award":"Not Awarded","Reviewers":[{"Name":"Tony Bridge","Score":"","ScoreSuffix":""}],"ScreenshotText":[],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":null,"CompilationReviewScores":[]}]}]