[{"TitleName":"Kirel","Publisher":"Addictive Games Ltd","Author":"Siegfried Kurtz","YearOfRelease":"1986","ZxDbId":"0002705","Reviews":[{"Issue":{"Name":"Crash Issue 29, Jun 1986","Price":"£1","ReleaseDate":"1986-05-29","Editor":"Graeme Kidd","TotalPages":140,"HasCoverTape":false,"FlannelPanel":"Publishing Executive: Roger Kean\r\nEditor: Graeme Kidd\r\nTechnical Editor: Franco Frey\r\nTech Tipster: Simon Goodwin\r\nAdventure Editor: Derek Brewster\r\nStrategy Editor: Sean Masterson\r\nStaff Writers: Hannah Smith, Lloyd Mangram\r\nContributing Writers: John Minson, Jon Bates, Rosetta McLeod\r\nArt Editor: Oliver Frey\r\nArt Director: Dick Shiner\r\nProduction Controller: David Western\r\nProduction: Gordon Druce, Tony Lorton\r\nProcess Camera: Matthew Uffindell\r\nPhotographer: Cameron Pound\r\nAdvertisement Manager: Roger Bennett\r\nSubscriptions: Denise Roberts\r\nMail Order: Carol Kinsey\r\n\r\nEditorial and Production: [redacted]\r\n\r\nMail Order and Subscriptions: [redacted]\r\n\r\nADVERTISING\r\nInformation and Bookings [redacted]\r\n\r\nPrinted in England by Carlisle Web Offset (Member of the BPCC Group), [redacted]. Colour origination by Scan Studios, [redacted];\r\n\r\nDistributed by COMAG, [redacted]\r\n\r\nNo material may be reproduced whole or in part without written consent of the copyright holders. We cannot undertake to return any written material sent to CRASH Magazine unless accompanied by a suitably stamped addressed envelope. Unsolicited written or photo material which may be used in the magazine is paid for at our current rates.\r\n\r\n©1986 Newsfield Limited\r\n\r\nJULY-DEC 1985\r\nTotal: 93,356\r\nUK: 89,441"},"MainText":"Producer: Addictive\r\nRetail Price: £8.95\r\nAuthor: Siegfried Kurtz\r\n\r\nAddictive Games are best known for simulation games such as the monster-selling football Manager, but this new release shows the Bournemouth-based company taking a completely new direction.\r\n\r\nKirel features a cute frog-eyed character who hops around the seventy 3D screens that make up his world in search of bombs to defuse and objects to collect. Kirel can only climb one step at a time on a screen, so he must pick up and drop blocks as he goes along, building staircases and bridges as they are needed. You can only move to the next screen when all the bombs on the current level have been defused.\r\n\r\nEach level has to be completed within a certain time-limit - the amount of time remaining is indicated by a fuse trailing from the floor, which smoulders quietly away. If Kirel doesn't move fast enough and runs out of time, the little marauding meringue explodes. Contact with patrolling monsters saps energy, and can also lead to death.\r\n\r\nOnce all the bombs on a screen have been defused by jumping on them, an exit icon shows pointing the way to get onto the next screen. If Kirel leaves the screen inside the time limit the score is increased.\r\n\r\nThe Bionic Battle Bun, as he is known to his friends in the patisserie business, roams around the screens searching for cakes to eat and arrow blocks to collect. Monsters are allergic to cake and are destroyed if Kirel touches one while he has a cake in his inventory. Arrow blocks give Kirel another section of bridge, while bags of sweeties and sugar replenish his energy levels. Little balls give Kirel more time to complete the current level.\r\n\r\nKirel has four lives per screen, and the status area on the bottom left-hand side of the screen shows the number of lives, cakes and bridge building units he has as well as his energy level.\r\n\r\nOther useful items to keep your bulging eyes peeled for are cubes, which destroy immovable walls and pyramids, and transporter networks represented by shimmering curtains or circles, which can be used to move Kirel around the screen.\r\n\r\nCOMMENTS\r\n\r\nControl keys: 0 pick up/put down, 1 rotate right, 2 turn round, 3 rotate left, SPACE to pause, ENTER to continue, B build bridge, E up, S to play game, T to play training game, VT abort game\r\nJoystick: Kempston, Cursor, Interface 2\r\nKeyboard play: no problems\r\nUse of colour: monochromatic screens\r\nGraphics: very neat 3D platforms\r\nSound: spot effects only\r\nSkill levels: two modes, training and play\r\nScreens: 70","ReviewerComments":["Well, well! Addictive have been relative quiet since the golden oldie Football Manager, so it's nice to see them publishing such a fun puzzle game. More or less everything (except sound) has been exploited to the full to bring idea to fruition. The star of the game jerks a little bit, but other things make up for this. Generally the graphics are nicely represented, but the games real high is its playability. I think it is really good, clean, puzzle solving fun. The title screen flickers a lot, but the effect is there, and it works quite well. Addictive and fun to play. Not worthy of a Smash, but well worth a good few day's attention.\r\r\nUnknown","Kirel is definitely one of the most original games ideas around on the Spectrum at the moment, and contains some excellent 3D graphics. At first the gameplay is very slow, but I found it was relatively easy to get used to and suited the cute little character you control. The time bomb time limit is a very effective idea and makes you hurry around with more urgency than a counter would encourage. The graphics are set in great 3D perspective, although some situations seemed a little awkward to work out on the later levels. The other characters are well drawn and the baddies smoothly animated. The only thing I missed was a little tune to listen to, but that hardly counts against the game. Kirel is a brilliant game which anyone can get straight into playing. Definitely worth buying if you want something that is a little different from the 'run of the mill' Spectrum software.\r\r\nUnknown","I was initially very impressed, but after a few goes the novelty of the pretty graphics wore off and I was left with a fairly mediocre 'jumping around collecting things' game. The graphics are very good and the characters are well drawn, although a little jerky when they move. The sound is limited but adequate I suppose. Controlling your blob or whatever it is, is difficult at first but after a few practice games it becomes second nature. It took me a long time to get into, but once you got on with it, I found it fairly playable and addictive, although it isn't the sort of game I'd get hooked on. Not a bad game - it'll take a lot of determination to complete.\r\nUnknown"],"OverallSummary":"General Rating: A neat arcade/puzzle game that's quite compelling.","Page":"24","Denied":false,"Award":"Not Awarded","Reviewers":[{"Name":"Unknown","Score":"","ScoreSuffix":""},{"Name":"Unknown","Score":"","ScoreSuffix":""},{"Name":"Unknown","Score":"","ScoreSuffix":""}],"ScreenshotText":[{"Text":"Boing! The Bionic Battle Bun leaps through the air on the way to a bit of bomb disposal."},{"Text":"Kirel's holding a block, as you can tell by the icon in the top right of the screen. Where's he going to put it down? Time's running out..."}],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":[{"Header":"Use of Computer","Score":"83%","Text":""},{"Header":"Graphics","Score":"86%","Text":""},{"Header":"Playability","Score":"85%","Text":""},{"Header":"Getting Started","Score":"84%","Text":""},{"Header":"Addictive Qualities","Score":"87%","Text":""},{"Header":"Value For Money","Score":"83%","Text":""},{"Header":"Overall","Score":"85%","Text":""}],"CompilationReviewScores":[]},{"Issue":{"Name":"Your Sinclair Issue 7, Jul 1986","Price":"£0.95","ReleaseDate":"1986-06-12","Editor":"Kevin Cox","TotalPages":98,"HasCoverTape":false,"FlannelPanel":"Editor: Kevin Cox\r\nArt Editor: Martin Dixon\r\nDeputy Editor: Teresa Maughan\r\nProduction Editor: Sara Biggs\r\nDesigner: Caroline Clayton\r\nStaff Writer: Phil South\r\nTechnical Consultant: Peter Shaw\r\nEditorial Consultant: Andrew Pennell\r\nContributors: Stephen Adams, Luke C, Iolo Davidson, Mike Gerrard, Ian Hoare, Gwyn Hughes, Zareh Johannes, Max Phillips, Rick Robson, Rachael Smith\r\nAdvertisement Manager: Mark Salmon\r\nAdvertisement Executive: Neil Dyson\r\nProduction Manager: Sonia Hunt\r\nGroup Advertisement Director: Chris Talbot\r\nPublishing Manager: Roger Munford\r\nPublishing Director: Stephen England\r\n\r\nPublished by Sportscene Specialist Press Ltd, [redacted] Company registered in England.\r\nTypesetters: Carlinpoint [redacted]\r\nReproduction: Graphic Ideas, London\r\nPrinters: Chase Web Offset [redacted]\r\nDistribution: Seymour Press [redacted]\r\n\r\nAll material in Your Sinclair ©1986 Felden Productions, and may not be reproduced in whole or in part without the written consent of the publishers. Your Sinclair is a monthly publication."},"MainText":"Addictive\n£8.95\nReviewer: Gwyn Hughes\n\nStrange. Unexpected! An oddity, even!!! That's Kirel, the new offering from that football crazy crowd at Addictive.\n\nStrange because it's a million miles from its previous league topper, Football Manager, the simulation that's kept Addictive over the moon and helped it survive several own goals - remember Software Star.\n\nUnexpected because its a smooth running arcade game, not the long in the tooth Basic associated with Addictive. And an oddity because though it joins the Ultimate lookalike throng, it doesn't play at all like Knightlore!\n\nKirel is more of a block shifting puzzle in 3D: the chance to be the architect of an alien landscape. The eponymous hero is a cute critter who lives on an eight by eight grid in a sugar cube city (nothing to do with Amstrad). It's the ideal environment for anybody who likes climbing stairs - or would be if it wasn't for the monsters and bombs?\n\nThe bombs are really his main concern because he has to clear them in a constant race against time, the inexorable passing of which is shown by a constantly fizzing fuse. The aliens merely get in the way and leap on Kirel to sap his strength - a relatively minor irritation when the world's about to vanish in a shower of sparks!\n\nUnluckily not all of the bombs are accessible at the start because Kirel can only climb a height one block at a time - after all, he hasn't got any legs (and that's quite different from being legless). But here's where his Wimpey skills come in! Kirel kan karry one block at a time, providing it's not from the base level. So reaching the bombs is a question of rearranging the landscape until there are neat stairs to the correct level. Another clever ability our hero has is to build bridges in the direction he's facing, though these are in limited supply.\n\nWith that sorted out he can concentrate on the objects he'll find on his travels, namely cake, arrows, sweets and balls. Cake kills monsters when he leaps on them, arrows earn extra bridges; sweets restore stamina (and rot your teeth); and balls - perhaps a throwback from Football Manager - slow down the sparkling fuse.\n\nFinally there's the exit, that'll only appear once all the bombs have been defused, which happens when Kirel moves onto them. The screen isn't completed - and the fuse continues burning - until you leap onto this and transport to the next level.\n\nThere's also a training mode, without the terrible deaths, that'll let you get acquainted with the screens. I thought this might make it all too easy but even after a rehearsal I found the fuse was running out before I could reach the exit.\n\nThis is a game you'll either love or hate. You'll find it absolutely infuriating or totally addictive. I played it for hours. Give it a try. It could just be one of the cleverest games of the year.","ReviewerComments":[],"OverallSummary":"","Page":"28,29","Denied":false,"Award":"Your Sinclair Megagame","Reviewers":[{"Name":"Gwyn Hughes","Score":"9","ScoreSuffix":"/10"}],"ScreenshotText":[],"BlurbText":[{"Text":"Don't waste time though. The only way you'll get a good score up here is through speed. I think this is the quickest route for screen one.\r\n\r\nThis is Kirel. Handsome, isn't he? First thing is to get him up the steps to here.\r\n\r\nAvoid these little monsters though. They think they're toupees and sit on his head, sapping his strength.\r\n\r\nIt's a piece of gateau to deal with the nasties. While there's some cake left Kirel can krush them provided he attacks from a higher level.\r\n\r\nAnd increasing stamina is like taking candy from a baby. Here's a bag of bon-bons just waiting to be consumed."},{"Text":"The big block means that Kirel's not dropped a brick. That's because he needs two to raise himself to the right height when he reaches that other bomb.\r\n\r\nKirel's in the same place but I've revolved the screen and he's just picked up a block, allowing him to drop down onto the bomb.\r\n\r\nConfused? You shouldn't be because this taper stays in sight whichever way the base turns - and it only stops sizzling when you find a sphere.\r\n\r\nOnce that's all done the Exit will appear over here. Don't forget to pick up a block en route from that top corner - you'll need it to reach the right level.\r\n\r\nBy building a bridge from the position of the first bomb Kirel can whizz over here then build a step up to defuse another suspect device."}],"TranscriptBy":"Chris Bourne","ReviewScores":[{"Header":"Graphics","Score":"8/10","Text":""},{"Header":"Playability","Score":"7/10","Text":""},{"Header":"Value For Money","Score":"9/10","Text":""},{"Header":"Addictiveness","Score":"9/10","Text":""},{"Header":"Overall","Score":"9/10","Text":""}],"CompilationReviewScores":[]},{"Issue":{"Name":"Sinclair User Issue 51, Jun 1986","Price":"£0.98","ReleaseDate":"1986-05-18","Editor":"David Kelly","TotalPages":100,"HasCoverTape":false,"FlannelPanel":"Editor: David Kelly\r\nDeputy Editor: John Gilbert\r\nStaff Writers: Clare Edgeley\r\nDesigner: Gareth Jones\r\nEditorial Secretary: Norisah Fenn\r\nAdventure Writers: Richard Price, Gordo Greatbelly\r\nHelpline: Andrew Hewson\r\nHardware Correspondent: John Lambert\r\nBusiness Correspondent: Mike Wright\r\nContributors: Jerry Muir, Gary Rook, Skip Austin\r\nAdvertisement Manager: Louise Fanthorpe\r\nSenior Sales Executive: Rory Doyle\r\nProduction Assistant: Alison Morton\r\nAdvertisement Secretary: Linda Everest\r\nSubscriptions Manager: Carl Dunne\r\nPublisher: Terry Pratt\r\n\r\nTelephone [redacted]\r\n\r\nSinclair User is published monthly by EMAP Business & Computer Publications\r\n\r\nCover Illustration: Lee Sullivan\r\n\r\nIf you would like to contribute to Sinclair User please send programs or articles to:\r\nSinclair User\r\nEMAP Business & Computer Publications\r\n[redacted]\r\n\r\nOriginal programs should be on cassette and articles should be typed. Please write Program Printout on the envelopes of all cassettes submitted. We cannot undertake to return cassettes unless an SAE is enclosed. We pay £20 for each program printed and £50 for star programs.\r\n\r\nTypeset by Saffron Graphics Ltd, [redacted]\r\nPrinted by Peterboro' Web, [redacted]\r\nDistributed by EMAP Publications Ltd.\r\n\r\n©Copyright 1986 Sinclair User ISSN No 0262-5458\r\n\r\nABC 90,215 July-Dec 1985"},"MainText":"Publisher: Addictive Games\r\nPrice: £8.95\r\nMemory: 48K\r\n\r\nAddictive games is best known for Football Manager - a game so intrinsically well designed that it has been converted to every machine under the sun and is still (several years later) the most successful management game ever. Although Addictive has released other games over the years none have had anything like the success of Manager. Now it hopes to change all that with Kirel.\r\n\r\nKirel looks, in its use of an edge-on 3D viewpoint, a little like Knight Lore and Alien 8. Were Kirel actually like those games it would of course be exceptionally tedious. Enough is enough. But despite the wizzo graphics you could argue that Kirel is barely an arcade game at all, or at least say that the skills it requires are quite different from the usual dodge, blast and collect, sweaty palmed instant reaction brigade. With Kirel you have to think, and think very fast.\r\n\r\nSomewhere in its development Kirel was related to that ancient arcade game where you had to shunt a boot to a bomb - reaching it before it blew to bits. Kirel has the same basic idea, on each new screen you must get to and leap on, a bomb or several bombs, before time runs out and the biggest bomb of the lot expresses itself in the only way it knows how. In Kirel this all takes place in 3D and is made difficult not only by some nasty monsters that look like seaweed on a bad day but the mental torment of working out how to get where you want to go.\r\n\r\nThere are 70 screens. On each there are dozens of blocks arranged in all kinds of patterns. Getting to some of the bombs is going to involve manipulating the blocks, building block bridges and viewing the problem from several different angles (you can change viewpoint like Ant Attack).\r\n\r\nThis would be comparatively simple were it not for the fact that the Kirel character - a blob with two big eyes - can only 'climb' one step at a time, ie it cannot bounce on top of any block more than one block higher than the block on which it is standing.\r\n\r\nKirel can pick up the block it's standing on and drop down one level but if that then means there are no adjacent blocks one above, below or at the same level as Kirel you have achieved precisely nothing. Get the picture (if you do without re-reading the above several times you should do well at this game).\r\n\r\nKirel is pleasing to the eye, even though 3D screens don't have the 'gosh wow' impact they once had. I found the mixture of block structures and bizarre objects like the cheese gave the whole game a wonderfully surreal touch. Kirel and the monsters (a name for a group if ever I heard one) are very Ultimate-style wacky with amusing (if jerky) animation giving them some personality.\r\n\r\nAddictive have faced the old Spectrum 'any colour you like so long as it doesn't move' attribute problem and like all sensible people waved the white flag - all the screens are two-colour only. Can't say I minded much though.\r\n\r\nSound is surprisingly effective, perhaps because it doesn't try to say anything other than squelch and burp at the appropriate moments. The squelches and burps are, however, most effective.\r\n\r\nJUDGEMENT\r\n\r\nI loved it. Addictive say the game has 'a lot of original ideas'. That's pushing it, but it certainly puts a lot of old ideas from other programs together in a new way. It has all the thrills of an arcade game whilst testing your reasoning far more than your trigger finger.","ReviewerComments":[],"OverallSummary":"","Page":"31","Denied":false,"Award":"Sinclair User Classic","Reviewers":[{"Name":"Skip Austin","Score":"5","ScoreSuffix":"/5"}],"ScreenshotText":[],"BlurbText":[{"Text":"HELP\r\n\r\nThere is really only one key tip. To get to higher levels without simply trapping Kirel you must think in terms of stepped platforms. Build up several blocks at the same time so that you always have adjacent blocks on to which you can move.\r\n\r\n1) If you find what looks like a large chunk of Black Forest Gateau this allows you to kill one monster. (Only one monster for such a large piece of cake?)\r\n\r\n2) Balls - collect these to gain extra time.\r\n\r\n3) Arrows - give you more 'bridges', ie using the bridge option Kirel can generate a platform at the current block level provided there is nothing in the way.\r\n\r\n4) Sweets - restore energy levels should the Seaweed Monsters slurp too much of your energy away.\r\n\r\n5) Transports and networks - these let you move quickly from one section of the screen to another. Some are automatic - you can't control where you go - some work like a lift and you can move up and down to different levels.\r\n\r\n6) Cubes - these helpful devices destroy vast sections of block structures, walls and pyramids letting you get at hidden bombs.\r\n\r\n7) Use the pause option frequently to give yourself time to think where on earth you are trying to go.\r\n\r\n8) Use the multi-viewpoint option, it may reveal structural secrets which prove vital to solving the screen.\r\n\r\n9) Don't try to collect all the goodies (cake, balls etc) on a particular screen unless absolutely necessary. Some of the screens are relatively easy to solve in terms of getting the bombs but contain 'red herring' fiendish puzzles to reach bonus objects. Don't be tempted - shrug your shoulders and walk away like a man."},{"Text":"MORE PROBLEMS\r\n\r\n1) for each screen there is a time limit, indicated by a length of fuse which slowly burns away and different screens have different limits.\r\n\r\n2) The Seaweed Monsters lurk all over the place. They don't attack you as such but bumping into them is very easy and it loses you energy. If you run completely out of energy you've lost whether the bomb explodes or not.\r\n\r\n3) Impassable Pyramids, littered around later screens, are impassable, as you might expect. You have to go around them.\r\n\r\n4) Invisible walls are found on later screens and form an impassable barrier just like the Pyramids except that you can never remember where they are. Very nasty."}],"TranscriptBy":"Chris Bourne","ReviewScores":[{"Header":"Overall","Score":"5/5","Text":""}],"CompilationReviewScores":[]},{"Issue":{"Name":"C&VG (Computer & Video Games) Issue 56, Jun 1986","Price":"£0.98","ReleaseDate":"1986-05-16","Editor":"Tim Metcalfe","TotalPages":116,"HasCoverTape":false,"FlannelPanel":"Editor: Tim Metcalfe\r\nDeputy Editor: Paul Boughton\r\nEditorial Assistant: Lesley Walker\r\nSub-Editor: Seamus St. John\r\nDesign: Craig Kennedy\r\nAdventure Writers: Keith Campbell, Paul Coppins, Steve Donoghue, Jim Douglas\r\nAmerican Correspondent: Marshall M. Rosenthal\r\nArcades: Clare Edgeley\r\nSoftware Consultant: Tony Takoushi\r\nPublicity: Marcus Rich\r\nAdvertisement Manager: Louise Matthews\r\nAssistant Ad Manager: Garry William\r\nPublisher: Rita Lewis\r\nCover: Steve Brown, Ian Watson\r\n\r\n...and the Bug Hunters!\r\n© Jerry Paris\r\n\r\nEditorial and Advertisement Offices: [redacted]\r\n\r\nJuly-December 98,258"},"MainText":"MACHINE: Spectrum\r\nSUPPLIER: Activision\r\nPRICE: £8.95\r\n\r\nAfter a relatively quite time, Addictive Games are back on the scene with the excellent Kirel, a nifty 70 screen, three dimensional arcade offering.\r\n\r\nSources at Addictive say this is the first of what is hoped to be one new game released each month. If the same standard is kept up it should be an interesting summer.\r\n\r\nThe idea is to move Kirel, a cute little chap, around the screens to find the transporter networks, grab energy supplies and defuse bombs.\r\n\r\nBy moving blocks around, Kirel can build staircases, move obstructions, and make holes - to enable him to exit from the screen and onto the next.\r\n\r\nThere are various objects Kirel should collect.\r\n\r\nCakes help him to destroy monsters, arrows give him extra bridges, sweets and bags of sugar restore stamina and collecting balls give extra time.\r\n\r\nBut beware the stamina-sapping monsters which infest the screens, and the pyramids which are impassable.\r\n\r\nA nice part of the game is the way you can rotate screens through 90 and 180 degrees. Pressing the space bar finds Kirel for you (assuming you've lost him).\r\n\r\nThe screen layout is clear and uncluttered. The screen number is in the top left corner and block indicator top right. Lives, cakes, bridges and energy levels can be found in the bottom left hand corner. The squiggly line coming from the main graphics is the time fuse.","ReviewerComments":[],"OverallSummary":"","Page":"40","Denied":false,"Award":"Not Awarded","Reviewers":[],"ScreenshotText":[],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":[{"Header":"Graphics","Score":"8/10","Text":""},{"Header":"Sound","Score":"6/10","Text":""},{"Header":"Value","Score":"8/10","Text":""},{"Header":"Playability","Score":"8/10","Text":""}],"CompilationReviewScores":[]},{"Issue":{"Name":"Your Computer Issue 6, Jun 1986","Price":"£1","ReleaseDate":"1986-05-15","Editor":"Gary Evans","TotalPages":100,"HasCoverTape":false,"FlannelPanel":"Editor: Gary Evans\r\nSoftware Editor: Lee Paddon\r\nStaff Writer: Anthony Thompson\r\nSub Editor: Harold Mayes MBE\r\nProduction Editor: Jim McClure\r\nProduction Assistant: Nick Fry\r\nEditorial Secretary: Sheila Baker\r\nDesigner: Chris Winch\r\nEditorial: [redacted]\r\nGroup Advertisement Manager: David Lake\r\nAdvertisement Executives: Ian Faux, Jeremy Kite\r\nClassified: Paul Monaf\r\nAdvertising: [redacted]\r\nPublisher: Paul Coster\r\nFinancial Director: Brendan McGrath\r\nManaging Director: Richard Hease\r\n\r\nCover by Mark Tyler\r\n\r\nYour Computer, [redacted]\r\nISS 0263 0885\r\n\r\n©1986 Focus Investments Ltd\r\nPrinted by The Riverside Press Ltd, England.\r\nTypeset by Time Graphics Ltd, [redacted]\r\nMember of the Audit Bureau of Circulation.\r\n\r\nReasonable care is taken to avoid errors in this magazine but no liability is accepted for any errors which may occur. No material in this publication may be reproduced in any way without the written consent of the publishers. The publishers will not accept responsibility for the return of unsolicited manuscripts, listings, data tapes or discs.\r\n\r\nWe will assume permission to publish all unsolicited material unless otherwise stated. We cannot be held responsible for the safe return of any material submitted for publication. Please keep a copy of all your work and do not send us original artwork.\r\n\r\nUnfortunately we are unable to answer lengthy enquiries by telephone. Any written query requiring a personal answer MUST be accompanied by a stamped, self-addressed envelope; please allow up to 28 days for a reply.\r\n\r\nSubscriptions: UK £14 for 12 issues. Overseas (surface mail) £22.50 - Airmail rates on request. Please make a cheque/postal orders payable to Focus Investments. (Please allow 5 weeks from order receipt of first subscription copy). Send orders to Your Computer Subscriptions, [redacted].\r\n\r\nJanuary to April 86 back issues of the magazine are available for £1.50 from the Back Issues Department, [redacted].\r\n\r\nDistributed by Business Press International, [redacted]."},"MainText":"Spectrum\r\nAddictive\r\nArcade Adventure\r\n£8.95\r\n\r\nAddictive Software is big on quantity but a new release from it is usually worth a look. The last hit, Football Manager, is still in the charts years after its first appearance.\r\n\r\nKirel is, at first sight, yet another 3D isometric arcade adventure but the more you play it the more you realise it has that little spark of originality and charm which can make a game stand out from the crowd. The eponymous Kirel is a jolly, slightly-squashed-looking character who has trouble with stairs. He can slide up only one level at a time but he has the useful ability of being able to swallow parts of the landscape and regurgitate them elsewhere. In that way, our hero can tackle huge mountains.\r\n\r\nThe reason for the little chap clumping around the place is to defuse a few bombs left lying carelessly round the screen. Naturally they are time-bombs and the fuse is running low. Defuse the bombs and it is on to the next screen. Do that 70 times and you have cracked it. Your bonus depends on time taken.\r\n\r\nAlso on the screens various nasties will try and sap your stamina by the ungainly tactic of sitting on you. You can squash them if you have eaten enough cake lately - presumably that makes our flabby friend heavy enough to inflict lasting damage.\r\n\r\nOther objects include transporters for rapid movement around screens, invisible walls, sweets to build your energy and arrows which allow you to build bridges. All that variety gives plenty of scope for fiendish logical puzzles which must be solved against the clock. Not exactly Alien 8 but great fun all the same.","ReviewerComments":[],"OverallSummary":"","Page":"47","Denied":false,"Award":"Not Awarded","Reviewers":[{"Name":"Lee Paddon","Score":"4","ScoreSuffix":"/5"}],"ScreenshotText":[],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":[{"Header":"Graphics","Score":"4/5","Text":""},{"Header":"Sound","Score":"2/5","Text":""},{"Header":"Playability","Score":"4/5","Text":""},{"Header":"Value For Money","Score":"4/5","Text":""},{"Header":"Overall Rating","Score":"4/5","Text":""}],"CompilationReviewScores":[]},{"Issue":{"Name":"ZX Computing Issue 27, Jul 1986","Price":"£1.5","ReleaseDate":"1986-06-26","Editor":"Bryan Ralph","TotalPages":100,"HasCoverTape":false,"FlannelPanel":"Editor: Bryan Ralph\r\nAssistant Editor: Cliff Joseph\r\nConsultant Editor: Ray Elder\r\nAdvertising Managers: Peter Chandler and John McGarry\r\nDesign: Argus Design\r\nA.S.P. Advertising and Editorial [redacted]\r\n\r\nPrinted by Alabaster Passmore and Sons Ltd. [redacted]\r\n\r\nAdvertisement Copy Controller: Lynn Collis\r\n\r\nDistributed by: Argus Press Sales and Distribution Ltd, [redacted]\r\n\r\nZX Computing Monthly is published on the fourth Friday of each month. Subscription rates can be obtained from ZX Subscriptions, [redacted]\r\n\r\nThe contents of this publication, including all articles, designs plans, drawings and other intellectual property rights herein belong to Argus Specialist Publications Limited. All rights conferred by the law of Copyright and other intellectual property rights and by virtue of international copyright conventions are specifically reserved to Argus Specialist Publications Limited and any reproduction requires the prior written consent of the company.\r\n\r\nArgus Specialist Publications Limited. ©1986"},"MainText":"ADDICTIVE GAMES MAY SEEM TO HAVE BEEN LYING DOGGO SINCE THEIR HEYDAY AND THE SUCCESS OF FOOTBALL MANAGER, BUT THEY'RE BACK AND LIVING UP TO THEIR NAME WITH THEIR LATEST RELEASE, KIREL.\r\n\r\nAddictive Games\r\n£7.95\r\n\r\nThis isn't an easy game to describe - to say that it combines elements of Knight Lore and Pacman makes it sound derivative and doesn't really do it justice. Kirel is the name of a blob-like character with bulgy eyes and a silly grin, who finds himself on a board upon which layers of blocks are arranged in complex three dimensional maze structures.\r\n\r\nThe board is eight blocks wide by eight deep and the blocks can be piled up in layers half a dozen high. This means that there's enormous scope for creating structures with the blocks and the game contains a total of 70 screens.\r\n\r\nIn addition to the obstacles created by these blocks each screen contains a number of objects that have to be collected within a time limit in order to move on to the next screen. If you don't finish the screens in time there is a lit fuse under the board that burns down and blows the whole thing up Also slithering about the boards are strange jelly-like creatures that can drain Kirel's energy level if he comes into contact with them.\r\n\r\nTo complete each screen you have to guide Kirel to the lit bombs hidden in various corners of the maze. These are sometimes hidden beneath layers of blocks which means that even with the 'reveal' function that pauses the game and give you an x-ray view of the maze you've still got to puzzle pretty hard over how to reach the bombs. Also positioned within the maze are transporter pads, arrows which, when collected, allow Kirel to build bridges across sections of the maze, cake and sweets which boost his energy and allow him to kill the jelly monsters.\r\n\r\nSo far it might not sound like anything particularly exciting but there is one more element that makes the game wonderfully addictive When he's wandering around the maze. Kirel can only jump up or down one block at a time but many of the objects he'll have to reach are tucked away on top of high piles of blocks or down at the bottom of pits surrounded by blocks which makes them inaccessible. So, in order to be able to get to all these objects Kirel can pick up and drop one block at a time and build his own stairways and ledges and, in effect, rebuild the maze to suit himself. This leads to some frantic scenes as you rush around the screen moving blocks and trying to get to the bombs before the time limit runs out.\r\n\r\nThis is one of those games where you can almost see what you need to do but can't quite get it done in time, so you keep on trying to beat the speed limit or to change your tactics in an attempt to get onto the next screen. The time limit and the monsters add an element of arcade action to the game, but this is nicely balanced by the strategy and quick thinking needed to plan ahead and rebuild the maze structure as you go along.\r\n\r\nIn a game like this the quality of the graphics and animation are less important than in most arcade games, but Kirel is nonetheless well designed and animated. All the graphics are large and clearly drawn despite the amount of stuff that is cluttering up the screen. And there are some nice touches, such as the ability to alter the viewpoint so that you can see in and around the maze, which show that the programmers have paid a lot of attention to detail.\r\n\r\nI don't have any real criticisms of Kirel, though I do think it would have been nice to see user-definable keyboard controls, and some of the purple screens are a bit rough on the eyeballs. The time limit on the screens is a bit short too, though there is a practice mode in which you can have all the time you want.\r\n\r\nI have to admit that I wasn't expecting Kirel to be anything special when I first loaded it up - after all it does use elements from some quite old games and there's nothing particularly state-of-the-art' about the game - but it really does manage to mix all these old ingredients and come up with a brand new recipe that's highly addictive and deserves to rival the success of Football Manager.","ReviewerComments":[],"OverallSummary":"","Page":"18","Denied":false,"Award":"ZX Monster Hit","Reviewers":[],"ScreenshotText":[],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":null,"CompilationReviewScores":[]}]}]