[{"TitleName":"Terror of the Deep","Publisher":"Mirrorsoft Ltd","Author":"John May, Steinar Lund","YearOfRelease":"1987","ZxDbId":"0005198","Reviews":[{"Issue":{"Name":"Crash Issue 39, Apr 1987","Price":"£1","ReleaseDate":"1987-03-26","Editor":"Roger Kean","TotalPages":132,"HasCoverTape":false,"FlannelPanel":"Editor: Roger Kean\r\nSub Editor: Ciaran Brennan\r\nStaff Writers: Lloyd Mangram, Richard Eddy\r\nAdventure Editor: Derek Brewster\r\nStrategy Editor: Philippa Irving\r\nTech Tipster: Simon Goodwin\r\nContributing Writers: Jon Bates, Brendon Kavanagh, John Minson\r\nProduction Controller: David Western\r\nArt Director: Gordon Druce\r\nIllustrator: Oliver Frey\r\nProduction: Seb Clare, Tim Croton, Mark Kendrick, Tony Lorton, Nick Orchard, Michael Parkinson, Cameron Pound, Jonathan Rignall, Matthew Uffindell\r\nAdvertisement Manager: Roger Bennett\r\nAdvertisement Assistant: Nick Wild\r\nSubscriptions: Denise Roberts\r\nMail Order: Carol Kinsey\r\n\r\nEditorial and Production: [redacted]\r\n\r\nMail Order and Subscriptions: [redacted]\r\n\r\nADVERTISING\r\nBookings [redacted]\r\n\r\nPrinted in England by Carlisle Web Offset, [redacted] - member of the BPCC Group.\r\n\r\nDistributed by COMAG, [redacted]\r\n\r\nNo material may be reproduced whole or in part without written consent of the copyright holders. We cannot undertake to return any written material sent to CRASH Magazine unless accompanied by a suitably stamped addressed envelope. Unsolicited written or photo material which may be used in the magazine is paid for at our current rates.\r\n\r\n©1987 Newsfield Limited\r\n\r\nCover by Oliver Frey"},"MainText":"Producer: Mirrorsoft\r\nRetail Price: £7.95\r\nAuthor: Mr. Micro\r\n\r\nSomething strange is happening in the depths of Loch Ness - and it's got nothing to do with Nessy. In true 'Stingray' style, the loch has become infested with potentially dangerous alien creatures - and you have been chosen to eradicate the source of this alien threat. So, in the comfort of an ageing diving bell, you are lowered to the lake's bed and your mission begins...\r\n\r\nThe screen displays a view from the glass viewing screen of the diving bell - beneath this is a series of switches used to control the craft, adjusting its speed and direction. Moving the joystick left or right causes a hand to move across the controls, which are then activated by pushing the joystick up or down.\r\n\r\nAttached to the top of the craft is a spotlight, used to illuminate your surroundings, and oxygen is circulated via a hand-pump. Energy is in short supply, so every so often you have to turn a wheel (situated at the bottom right of the screen) to boost your energy level - at the expense of a loss of fuel. A limited supply of spears is also kept on board, along with two bombs - the fire button is used to launch either weapon.\r\n\r\nAmongst the harmless fish swimming around are aggressive aliens, which must be eradicated. The spears can be used to destroy these aliens, and more importantly stop them clinging to the edge of the diving bell. Electrifying the hull disposes of any aliens that make it through your defences.\r\n\r\nWhen your supply of spears is exhausted, or energy is low, you can call up to the supply ship for more supplies by using the klaxon - two blasts for fuel, one for ammunition. Supplies are sent down to the bell's current location, which means you have to stay put. However, a stationary craft attracts the attention of a ghastly creature which tries to attach itself to the bell. It can be detached with an electric shock, but if it is left there too long your craft is destroyed.\r\n\r\nFollowing the fish leads you to the source of the alien power - which is where your two bombs come in handy. If things get too hot to handle though, you can always resurface and replenish supplies, before descending once more into the dark depths...\r\n\r\nCOMMENTS\r\n\r\nControl keys: Z/X left/right, M/K up/down, Space to fire\r\nJoystick: Kempston, Interface 2\r\nUse of colour: monochrome playing area, brightly coloured instrument panel\r\nGraphics: nice newspaper, but otherwise pretty average\r\nSound: helpful FX, nothing stunning\r\nSkill levels: one\r\nScreens: scrolling underwater lochscape","ReviewerComments":["Terror of the Deep can be described in one word - odd! What a wonderful scenario, and what a weird control method. It took me a fair amount of time to find the game hidden amongst all the strangeness, and I'm not sure that it was worth the effort. The action is infrequent (and not particularly testing once found) and searching around the seemingly endless stretch of water is less than interesting, this leads to tedium and eventually apathy. I can't recommend this, it isn't addictive and it certainly isn't any fun to play.\r\nBen Stone","The programmers of Terror of the Deep certainly have a good sense of the original. I was enthralled by all the features contained in the inlay, which made the game sound so interesting. The program itself is a great let down though. After being built up by the terrific scenario, the product turns out to be very boring and shallow. The instrument panel is easy to use once you've sorted out what is what - in fact this is about the only pleasing factor. Terror of the Deep is essentially very basic, and contains little to do.\r\nPaul Sumner","I'm not keen on this at all. The graphics aren't very good, and while it's nice to be told exactly where you went wrong when you die, I think the necessity for the newspaper at the end highlights the fact that it's difficult to keep tabs on everything that's happening during the game. As far as addictiveness is concerned, I would be compelled to play it longer than I actually did if I'd bought it, but that's only because it costs so much. Overall, I don't think there's enough actual content in Terror of the Deep to make it worth considering.\r\nMike Dunn"],"OverallSummary":"General Rating: A good idea, but it's potential hasn't been realised.","Page":"122","Denied":false,"Award":"Not Awarded","Reviewers":[{"Name":"Ben Stone","Score":"","ScoreSuffix":""},{"Name":"Paul Sumner","Score":"","ScoreSuffix":""},{"Name":"Mike Dunn","Score":"","ScoreSuffix":""}],"ScreenshotText":[{"Text":"Deep in the murky waters of Loch Ness, Cameron encounters more terrors of the inner space."}],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":[{"Header":"Presentation","Score":"63%","Text":""},{"Header":"Graphics","Score":"52%","Text":""},{"Header":"Playability","Score":"43%","Text":""},{"Header":"Addictiveness","Score":"40%","Text":""},{"Header":"Value For Money","Score":"39%","Text":""},{"Header":"Overall","Score":"44%","Text":""}],"CompilationReviewScores":[]},{"Issue":{"Name":"Your Sinclair Issue 17, May 1987","Price":"£1.5","ReleaseDate":"1987-04-16","Editor":"Teresa Maughan","TotalPages":100,"HasCoverTape":false,"FlannelPanel":"Editor: Teresa Maughan\r\nSenior Art Editor: Hazel Bennington\r\nProduction Editor: Sara Biggs\r\nAssistant Editor: Phil South\r\nStaff Writer: Markus Berkmann\r\nDesigner: Darrell King\r\nContributors: Chris Donald, Mike Gerrard, Ian Hoare, Gwyn Hughes, ZZKJ, John Molloy, Rick Robson, Rachael Smith, Terri Wise\r\nAdvertisement Manager: Mark Salmon\r\nAdvertisement Executive: Julian Harriott\r\nProduction Manager: Sonia Hunt\r\nManaging Editor: Kevin Cox\r\nPublisher: Roger Munford\r\nPublishing Director: Stephen England\r\n\r\nPublished by Dennis Publishing Ltd, [redacted] Company registered in England.\r\nTypesetters: Carlinpoint [redacted]\r\nReproduction: Graphic Ideas, London\r\nPrinters: Chase Web Offset [redacted]\r\nDistribution: Seymour Press [redacted]\r\n\r\nAll material in Your Sinclair ©1987 Felden Productions, and may not be reproduced in whole or in part without the written consent of the publishers. Your Sinclair is a monthly publication."},"MainText":"Mirrorsoft\n£9.95\nReviewer: Gwyn Hughes\n\nIn the inky depths of Loch Ness, something stirs. Locals talk of strange creatures rising from the murky waters. Could they be connected with the glowing meteorite-like objects that fell from the skies so recently?\n\nMirrorsoft has coined the term 'adventure simulation' to describe Terror of The Deep. Adventure, because you're looking for whatever's been putting the wind up the locals kilts. Simulation because doing so is every bit as involved as it would be in real life.\n\nReal life? Well, not really, because the game is closest to those century-old fantasies of Conan Doyle, HG Wells, and above all, Jules Verne. Like Lucasfilm's The Eldolon, you are presented with a piece of Victorian sci-fi equipment to conduct your investigations.\n\nThe eccentric Scottish engineer, who developed the primitive submarine capable of patrolling the icy waters, chose an inopportune moment to go to the great haggis ranch in the sky, leaving you the dubious honour of ringing out the old in his diving bell.\n\nUsing a cursor you choose where you want to be dropped by your surface vessel. While you're descending you might like to read the last words of the engineer, reprinted from his yellowing diary in the game's instructions. Pay attention, because they contain some valuable clues.\n\nThe first problem, when you hit rock bottom, is that there's no signpost saying, 'This way to the strange phenomena.' The diary does drop a hint on how to find your way to the strange pods that the engineer describes though. Set off immediately, because hanging around leads to unwanted attention from strange creatures.\n\nAs you patrol, fish glide by. Turn your chair to look through any of the submersible's windows and you can watch them go. Don't spend too much time spectating though 'cos you must generate power - and that swivelling seal eats up the amps - and oxygen.\n\nYou can turn, dive or surface, or choose weapons, so that you're always prepared for any unpleasant encounters. If you begin to run low on fuel cells or spears, simply ask the ship to drop more. And if there's no sign of monsters, surface, relocate and try another site.\n\nTerror Of The Deep is a clever game, with nice graphics, and it can be quite atmospheric, especially if you play it in a darkened room, away from all distractions. There's even a version for 128 owners, with enhanced sound, on side two of the tape.\n\nBut fishing for the Loch Ness monster isn't the sort of activity for a Saturday afternoon. You'll spend a lot of time wandering around in the dark if you're to locate anything, and many people may find that boredom sets in before the not-so-wee, timorous beastie arrives.\n\nMaybe more landlocked deduction, to help you locate a likely location, would have added variety. As it is, for patient players in search of a decidedly different type of adventure, this is ideal, but arcade freaks may prefer it to sink without trace.","ReviewerComments":[],"OverallSummary":"","Page":"78","Denied":false,"Award":"Not Awarded","Reviewers":[{"Name":"Gwyn Hughes","Score":"8","ScoreSuffix":"/10"}],"ScreenshotText":[],"BlurbText":[{"Text":"You have three types of weapons to defend yourself against the denizens of the deep. Spears are useful for tanged combat while electric shocks splat the spores. But save the two bombs for something big - and make sure you can escape the explosion.\r\n\r\nUse the ballast switch to change your depth. This tilt control is used when aiming spears. Also in this section are the thrust controls, including reverse, and the rudder, which should be used in conjunction with the compass.\r\n\r\nThe main screen displays in four directions. This is forward, hence the spear sight. Don't use the lights all the time though - they're heavy on fuel consumption.\r\n\r\nWhen you want room service, move the hand to this switch, the press down to sound a klaxon. Once the package descends from the surface, up will switch on a magnet to tug it in.\r\n\r\nThe fuel gauge warns you when you're running low on the seaweed mix that makes the volts. Frantically turning this handle, by alternating up and down keys, recharges the parts other submarines can't reach.\r\n\r\nA bell rings to warn you when you're likely to turn blue in the face. Move the control hand here, with the left key, then pump it up and down to replenish air supplies."}],"TranscriptBy":"Chris Bourne","ReviewScores":[{"Header":"Graphics","Score":"8/10","Text":""},{"Header":"Playability","Score":"8/10","Text":""},{"Header":"Value For Money","Score":"8/10","Text":""},{"Header":"Addictiveness","Score":"7/10","Text":""},{"Header":"Overall","Score":"8/10","Text":""}],"CompilationReviewScores":[]},{"Issue":{"Name":"Sinclair User Issue 61, Apr 1987","Price":"£1","ReleaseDate":"1987-03-18","Editor":"David Kelly","TotalPages":116,"HasCoverTape":false,"FlannelPanel":"Editor: David Kelly\r\nDeputy Editor: John Gilbert\r\nSenior Staff Writer: Graham Taylor\r\nStaff Writer: Jim Douglas\r\nDesigner: Gareth Jones\r\nAdventure Help: Gordo Greatbelly\r\nZapchat: Jon Riglar\r\nHelpline: Andrew Hewson\r\nContributors: Gary Rook, Andy Moss, Chris Jenkins, Clare Edgeley\r\nHardware Correspondent: Rupert Goodwins\r\nDeputy Advertisement Manager: Mike Corr\r\nProduction Assistant: Alison Morton\r\nAdvertisement Secretary: Linda Everest\r\nSubscriptions Manager: Carl Dunne\r\nPublisher: Terry Pratt\r\n\r\nTelephone [redacted]\r\n\r\nSinclair User is published monthly by EMAP Business & Computer Publications\r\n\r\nCover Illustration: David Rowe\r\n\r\nIf you would like to contribute to Sinclair User please send programs or articles to:\r\nSinclair User\r\nEMAP Business & Computer Publications\r\n[redacted]\r\n\r\nOriginal programs should be on cassette and articles should be typed. Please write Program Printout on the envelopes of all cassettes submitted. We cannot undertake to return cassettes unless an SAE is enclosed. We pay £20 for each program printed and £50 for star programs.\r\n\r\nTypeset by PRS Ltd, [redacted]\r\nPrinted by Nene River Press, [redacted]\r\nDistributed by EMAP Publications Ltd.\r\n\r\n©Copyright 1987 Sinclair User ISSN No 0262-5458\r\n\r\nABC 90,215 July-Dec 1985"},"MainText":"Label: Mirrorsoft\r\nAuthor: Mr Micro\r\nPrice: £9.95\r\nJoystick: various\r\nMemory: 48K/128K (enhanced)\r\nReviewer: John Gilbert\r\n\r\nMeet the devils of the deep blue sea - well Scottish Loch, anyway in Mirrorsoft's latest software vehicle.\r\n\r\nIt's set at the close of the 19th century when Victorians first looked to the skies and saw weird UFO's and to the seas where wee timerous beasties, such as Nessie. hid in the black depths.\r\n\r\nWhat's the connection between Nessie and UFO's? Well, according to eye-witness reports, a large number of meteorite like objects have fallen from the skies above Loch Ness. These hunks of molten rock brought strange creatures to the loch's surface which threatened the local fishermen and may have had an adverse effect on the monster itself. She hasn't been seen for a while and you've got the opportunity to investigate these happ'nin's.\r\n\r\nIt's an insane escapade. An eccentric Scottish engineer who lives close to the Loch has agreed to lend you his new fangled bathosphere - a sort of early submarine - to take a dip in the deep.\r\n\r\nIf you're still willing to investigate climb aboard the craft, select your drop place within the loch using the cursor pointer on the map - all mod cons here - and switch to dive mode.\r\n\r\nThe main, submersible, screen displays a bewildering array of switches, sticks, dials and indicators. The cassette insert says 'by dint of logic you deduce what they are...' Logic? You need to be a minor genius to work out which instrument does what within the cramped display. Admittedly, Mirrorsoft has provided information about the controls - left to right - but they're not easily memorised and, when you're under attack from horny-eared toad creatures, you're not likely to have time to glance from the screen to your scrap of highly glossy insert.\r\n\r\nIf you hang around too long in one place you'll be attacked by puny looking yellow monsters. The best way to avoid them is to dive, but remember that you'll constantly need to keep the oxygen pumping and keep supplies and weapons coming down more frequently by using the Klaxon a specified number of times.\r\n\r\nAs you go deeper all the supply problems get more serious.\r\n\r\nAlso, as you sink, the monsters get larger and more dangerous. At first they look like harmless guppies but soon you start to get bug-eyed creatures which would be at home in an Ultimate game and many-tentacled terrors which glide up from the bottom of the sea window. They'll approach from more than one direction so when you hear the banging on the hull, move your vantage point around to find where the destruction's about to occur.\r\n\r\nTalking of banging noises, there's a 128K/+2 version of the game on Side 2 of the tape. It includes some very nifty sort-of-sampled sound. The oxygen pumps thud and hiss, water bubbles around the sub, and, the weapons - of course you'd have some means of self defence even in this tub - make all sorts of zinging and kat-chowing noises.\r\n\r\nThe three types of weapon you've got are spears, which are singularly ineffective, an electrical field which drains energy if used too much, and a bomb. The bomb's the most impressive weapon - it makes the most noise - but you've got to drop it, prime it and, when you've escaped, detonate it. Not something I wanted to do an awful lot.\r\n\r\nOK, I admit it. While I was turned on by this game's unique mode of transport at the start I floundered a bit with the controls and soon became bored with the oh-so-similar monsters. Although some of the monsters were pretty big, I longed for a shoot 'em up I could really get my teeth into.\r\n\r\nIf you've got the odd half a day, you like watching bubbles gurgle up the screen and enjoy shooting things now and again - and it's very now... and... again - you'll give this your own Classic. Me? I just couldn't.","ReviewerComments":[],"OverallSummary":"Hair raisingly eerie at first, but the monsters soon appear. Complex underwater simulation which ultimately became dull.","Page":"23","Denied":false,"Award":"Not Awarded","Reviewers":[{"Name":"John Gilbert","Score":"4","ScoreSuffix":"/5"}],"ScreenshotText":[],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":[{"Header":"Overall","Score":"4/5","Text":""}],"CompilationReviewScores":[]}]}]