[{"TitleName":"Trailblazer","Publisher":"Gremlin Graphics Software Ltd","Author":"Chris Kerry, Peter M. Harrap, Shaun Hollingworth, Steve Kerry, Terry Lloyd","YearOfRelease":"1986","ZxDbId":"0005368","Reviews":[{"Issue":{"Name":"Crash Issue 34, Nov 1986","Price":"£1","ReleaseDate":"1986-10-23","Editor":"Graeme Kidd","TotalPages":164,"HasCoverTape":false,"FlannelPanel":"Publishers: Roger Kean, Oliver Frey, Franco Frey\r\nPublishing Executive/Editor: Graeme Kidd\r\nStaff Writers: Lee Paddon, Lloyd Mangram, Hannah Smith\r\nAdventure Editor: Derek Brewster\r\nStrategy Editor: Sean Masterson\r\nTech Tipster: Simon Goodwin\r\nContributing Writers: Jon Bates, Brendon Kavanagh, Rosetta McLeod, John Minson\r\nProduction Controller: David Western\r\nArt Director: Dick Shiner\r\nIllustrators: Ian Craig, Oliver Frey\r\nProduction: Gordon Druce, Tony Lorton, Cameron Pound, Jonathan Rignall, Matthew Uffindell\r\nAdvertisement Manager: Roger Bennett\r\nAdvertisement Assistant: Nick Wild\r\nSubscriptions: Denise Roberts\r\nMail Order: Carol Kinsey\r\n\r\nEditorial and Production: [redacted]\r\n\r\nMail Order and Subscriptions: [redacted]\r\n\r\nADVERTISING\r\nBookings [redacted]\r\n\r\nPrinted in England by Carlisle Web Offset, [redacted] - member of the BPCC Group.\r\n\r\nDistributed by COMAG, [redacted]\r\n\r\nNo material may be reproduced whole or in part without written consent of the copyright holders. We cannot undertake to return any written material sent to CRASH Magazine unless accompanied by a suitably stamped addressed envelope. Unsolicited written or photo material which may be used in the magazine is paid for at our current rates.\r\n\r\n©1986 Newsfield Limited\r\n\r\nCRASH ABC FIGURE:\r\n101,483 Total\r\n97,992 UK and EIRE"},"MainText":"Producer: Gremlin Graphics\r\nRetail Price: £7.95\r\n\r\nHurtling through space, bouncy ball, hero of GREMLIN' s latest game, has to blaze a trail that others may follow.\r\n\r\nThe trouble is, the trail through space has rather strange properties. Instead of being a nice flat road old Mr Bouncy can just steam down, it's a bit full of holes. It's a bit like the 'Yellow Brick Road'with the Shropshire District Council doing the one-way system, full of holes, bumps and all sorts of hideous hazards.\r\n\r\nBefore Bouncy's work is done, he's got fourteen different courses to blaze a trail down, so he's really got his work cut out. Each course has to be done in around forty seconds, so no slacking or back slid or trainee bouncies, there's a practice mode which allows the player to practice any three courses in an attempt to get the course time down. In practice mode, the time limit is 100 seconds, but, if you fancy your chances in the main game, it's got to be around 40 seconds.\r\n\r\nThe controls are simple, forward to accelerate, back to brake, left and right to move from side to side on the belt.\r\n\r\nThe course is like an out of control flattened escalator like those ones that never work at Heathrow - it's thundering down the screen towards you, and you are trying to leg it up the other way. But this is no ordinary escalator. For a start it's suspended in space, and there are bits missing. On some screens, there's more missing than there are bits! The belt is five segments wide and comes in a variety of shades. Shaded squares are easy to handle you just roll straight over them. Diagonally striped squares speed you up. Not much of a problem here, you are normally going flat out to make the time limit anyway. Next in awfulness comes the solid white squares. These jump you into space. At full lick, this will catapult of bouncy forward just over three segments.\r\n\r\nThen comes the real nasty ones. The horizontally lined segments have roughly the same effect as bouncy hitting a treacle-filled lake, they kind of stick to you. Only a lot of heaving forward on the joystick will get you through these ones. Then there are the spotty squares. These totally freak poor little bouncy out by reversing the left and right controls. This unfortunate state of affairs is only corrected by steaming over another spotty bit.\r\n\r\nThen of course there are the black segments, like there's no ground man, some cat's taken the ground away. Old bouncy ends up failing down quite a few of these.\r\n\r\nAfter crashing, he gets thrown back on the belt, but without momentum, a situation leading to further disasters on the gaping bits. Once the rhythm's gone, old bouncy's in for a hard time, and the clock is still ticking away. On average, every crash costs about two seconds of precious trailblazing time.\r\n\r\nTo help on each course, the player gets four extra bounces (hit fire). This allows some of the really nasty bits to be avoided, or if the player forgets the course, and suddenly finds himself heading towards a yawning abyss, it comes in handy. The main use of the extra bounces is to get over the horizontally lined bits, or as a shortcut round a zig-zag. As these cost time, up to five seconds, it's almost preferable to crash! But the best method is to press fire just before hitting them and go sailing straight over.\r\n\r\nCOMMENTS\r\n\r\nControl keys: Q/W left/right; P/L increase/decrease speed; SPACE to jump\r\nJoystick: Sinclair and Kempston\r\nKeyboard play: responsive, and just as well!\r\nUse of colour: rather garish\r\nGraphics: simple looking but very fast\r\nSound: poor\r\nSkill levels: your own against the clock, with progressively difficult screens\r\nScreens: scrolling","ReviewerComments":["I must be the only person in the office not to have played this on either the Amstrad or the Commodore so it took me along while to really enjoy playing it. I'm a little surprised that there wasn't a really involved scenario on the inlay as the game really does lend itself to one. The graphics are very, very fast, and well defined too. Colour is a little suspect on some screens but you can always turn down the colour on your TV if things get too garish. The sound is a bit disappointing as the tune is primitive and the effects aren't really up to much. Once you become competent at Trail Blazer it's quite hard to leave it alone as it is extremely playable and addictive.\r\r\nUnknown","I was quite surprised at this game coming onto the Spectrum because I couldn't imagine it without all the colour, which plays an integral part in other versions. GREMLIN Seem to have come up with an effective compromise, using excellent shading, which makes up for the deficiency quite well. The tune on the title screen is pretty ancient stuff, but the game, as in the original, plays superbly, and that's the major point in its favour. I think Trailblazer is a very good conversion, and one that's well getting if it's playability you want and not graphics.\r\r\nUnknown","This is obviously a game that doesn't rest easily on the Spectrum without the colour that played such an important part in the other versions. The shading works okay, but I think it affects the gameplay - it's far easier to see the colour of a square rapidly scrolling towards you than it is to see shading. Despite all that, it's a fast, addictive original game that'll soon have you hooked. The practice mode is a real plus and means you can seriously concentrate on the screens giving you trouble.\r\nUnknown"],"OverallSummary":"General Rating: Original, fast and addictive.","Page":"150","Denied":false,"Award":"Not Awarded","Reviewers":[{"Name":"Unknown","Score":"","ScoreSuffix":""},{"Name":"Unknown","Score":"","ScoreSuffix":""},{"Name":"Unknown","Score":"","ScoreSuffix":""}],"ScreenshotText":[{"Text":"Blazing a trail through the cosmos. Solid squares give you that extra bounce."},{"Text":"Things are getting difficult - look out for that nasty patch ahead: it'll slow you down!"}],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":[{"Header":"Use of Computer","Score":"85%","Text":""},{"Header":"Graphics","Score":"81%","Text":""},{"Header":"Playability","Score":"86%","Text":""},{"Header":"Getting Started","Score":"83%","Text":""},{"Header":"Addictive Qualities","Score":"89%","Text":""},{"Header":"Value For Money","Score":"87%","Text":""},{"Header":"Overall","Score":"88%","Text":""}],"CompilationReviewScores":[]},{"Issue":{"Name":"Your Sinclair Issue 12, Dec 1986","Price":"£0.95","ReleaseDate":"1986-11-13","Editor":"Kevin Cox","TotalPages":122,"HasCoverTape":false,"FlannelPanel":"Editor: Kevin Cox\r\nArt Editors: Martin Dixon, Caroline Clayton\r\nDeputy Editor: Teresa Maughan\r\nProduction Editor: Sara Biggs\r\nStaff Writer: Phil South\r\nTechnical Consultant: Peter Shaw\r\nContributors: Stephen Adams, Mike Gerrard, Ian Hoare, Gwyn Hughes, ZZKJ, Steve Marsden, Tommy Nash, Chris Palmer, Max Phillips, Rick Robson, Rachael Smith\r\nAdvertisement Manager: Mark Salmon\r\nAdvertisement Executive: Julian Harriott\r\nProduction Managers: Sonia Hunt, Judith Middleton\r\nPublishing Manager: Roger Munford\r\nPublishing Director: Stephen England\r\n\r\nPublished by Sportscene Specialist Press Ltd, [redacted] Company registered in England.\r\nTypesetters: Carlinpoint [redacted]\r\nReproduction: Graphic Ideas, London\r\nPrinters: Chase Web Offset [redacted]\r\nDistribution: Seymour Press [redacted]\r\n\r\nAll material in Your Sinclair ©1986 Felden Productions, and may not be reproduced in whole or in part without the written consent of the publishers. Your Sinclair is a monthly publication."},"MainText":"Gremlin\n£7.95\nReviewer: Rachael Smith\n\nBobby Bearing, Action Reflex, Ballblazer, Bounder and Bounces... If you ask me, this recent trend in games is a load of old spherical objects. And helped by the addition of Trailblazer. If the others drove you dotty, this one will really have you in a spin.\n\nI made the mistake of bouncing into the office when Ed was handing this one out for review. Mistake, I say! That's an understatement. I've been playing it ever since. Trailblazer sort of sneaks up on you... and it doesn't let go.\n\nThe idea is simple. Just bounce a footie along a pavement - a pavement in outer space, that is. A pavement with cracks in it. A pavement with more cracks than pavement, at times. And though I'm sure you always try to keep on the straight and narrow, this particular path winds wildly round. You get the idea?\n\nSo there you are, guiding your sphere along Aerial Avenue, and it's then you discover that different types of pavement have different effects. You'll spend so much time with your ball bouncing over the edge that your sanity could quite easily follow it.\n\nWhat to do then? Become a student of the 14 courses' layouts, as i have. Spend all day and all night learning which path to take and when to bounce. Luckily there's a very good practice option, which lets you practice against a time limit. But for real thrills try the gruelling arcade version, which only allows you four extra bounces.\n\nThis is undoubtedly a classic. But don't touch it. It'll have you bouncing up and down in frustration.","ReviewerComments":[],"OverallSummary":"","Page":"55","Denied":false,"Award":"Your Sinclair Megagame","Reviewers":[{"Name":"Rachael Smith","Score":"9","ScoreSuffix":"/10"}],"ScreenshotText":[{"Text":"Stairway to heaven anyone? This particular path boats bouncy bits which rocket you to the next section, providing you've got enough speed. Then there's sticky stuff, which slows you down, and accelerators which may make you go too fast for comfort. But worst are the reverse controls passages. Suddenly left is right and right is arrgh... and it's off the edge again!"}],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":[{"Header":"Overall","Score":"9/10","Text":""}],"CompilationReviewScores":[]},{"Issue":{"Name":"Sinclair User Issue 57, Dec 1986","Price":"£1","ReleaseDate":"1986-11-18","Editor":"David Kelly","TotalPages":148,"HasCoverTape":false,"FlannelPanel":"Editor: David Kelly\r\nDeputy Editor: John Gilbert\r\nSenior Staff Writer: Graham Taylor\r\nStaff Writer: Jim Douglas\r\nDesigner: Gareth Jones\r\nAdventure Help: Gordo Greatbelly\r\nZapchat: Jon Riglar\r\nHelpline: Andrew Hewson\r\nContributors: Jeff Naylor, Richard Price, Rupert Goodwins, Andy Moss, Gary Rook\r\nAdvertisement Manager: Louise Fanthorpe\r\nSenior Sales Executive: Jacqui Pope\r\nProduction Assistant: Alison Morton\r\nAdvertisement Secretary: Linda Everest\r\nSubscriptions Manager: Carl Dunne\r\nPublisher: Terry Pratt\r\n\r\nTelephone [redacted]\r\n\r\nSinclair User is published monthly by EMAP Business & Computer Publications\r\n\r\nCover Illustration: Gerry Paris\r\n\r\nIf you would like to contribute to Sinclair User please send programs or articles to:\r\nSinclair User\r\nEMAP Business & Computer Publications\r\n[redacted]\r\n\r\nOriginal programs should be on cassette and articles should be typed. Please write Program Printout on the envelopes of all cassettes submitted. We cannot undertake to return cassettes unless an SAE is addressed. We pay £20 for each program printed and £50 for star programs.\r\n\r\nTypeset by Saffron Graphics Ltd, [redacted] and PRS Ltd, [redacted]\r\nPrinted by Nene River Press, [redacted]\r\nDistributed by EMAP Publications Ltd.\r\n\r\n©Copyright 1986 Sinclair User ISSN No 0262-5458\r\n\r\nABC 90,215 July-Dec 1985"},"MainText":"Label: Gremlin\r\nAuthor: In-house\r\nPrice: £7.95\r\nJoystick: various\r\nMemory: 48K/128K\r\nReviewer: Graham Taylor\r\n\r\nTrailblazer is something special. Visually it reminds me of nothing so much as the 'Beyond the Infinite' section of 2001 where Bowman hurtles through about ten minutes of very cosmic special effects.\r\n\r\nAs a game it's, well - addictive is too poor a word. How about dehabilitating, all consuming or brain blitzing?\r\n\r\nThere isn't too much to say about it though. The game idea is so very, very simple. It can be reduced to the following: control a ball rolling and bouncing over an abstract, geometric and flat landscape which hurtles towards you from the middle horizon. Don't fall down any holes, don't waste time. That's it.\r\n\r\nOK, so that isn't quite it. The landscape is a patchwork of differently shaded squares and rectangles. Different kinds of shading indicate different properties. Over lines parallel to your direction of movement you'll speed up. Perpendicular lines slow you down. An unshaded area will make your ball bounce. This can be vital to cross giant chasms in the scrolling landscape. Utterly unwelcome is the dot/dash matrix that indicates that all the controls are reversed, ie left moves you right and vice versa.\r\n\r\nThe ball may move from a speed-up zone, to slow-down to reverse controls to bounce pad in seconds and you'd better be ready.\r\n\r\nThe playing area is divided into various zones. Early zones are comparatively easy, later zones just one infuriating step away from being impossible. The knowledge that it can be done, but you can't do it wrenches deep in the guts.\r\n\r\nDifferent zones seem to concentrate on particular kinds of problem. Zone A is an easy mixture of the different elements. By the time you get to Zone D you start getting alternate strands of track where you must hit the bounce pad at the end to bounce over to the next track.\r\n\r\nPart of the art of playing the game is familiarity - just knowing what's coming up where - but in the end it goes so fast that reactions and instinct take over. You think in your hands not your head.\r\n\r\nIf it all sounds a bit too daunting then take heart. Gremlin has introduced features which make the game accessible to the novice. There is a practice option which allows you to learn each section and get used to the effects of particular sequences of grids. There is no time limit, which takes the pressure off a bit, but you still keep hurtling into empty space time after time...\r\n\r\nThe graphics are extremely well done, although, inevitably there isn't really all that much to say about them. The ball seems cheekily reminiscent of the famous Amiga one and spins in a similar manner. The abstract patchwork of grids scrolls incredibly smoothly and at an astonishing speed - it's all two-colour of course but in a game which is not intended to look like anything from the real world it hardly matters.\r\n\r\nIt's a pity the game lacks a two-player options found on versions on other computers - processing time was the problem, apparently, but really, I haven't played a game so obsessively for ages.","ReviewerComments":[],"OverallSummary":"The ultimate test of your reactions. Visually astonishing reaction game utterly, utterly, utterly addictive.","Page":"89","Denied":false,"Award":"Not Awarded","Reviewers":[{"Name":"Graham Taylor","Score":"5","ScoreSuffix":"/5"}],"ScreenshotText":[{"Text":"On Level B (which seemed clever at the time). Four jumps left and not much time. Which strand across empty space will you choose?"},{"Text":"Sections from the seemingly end- less Trailblazer highway. Black means gap. Other shaded areas produce different effects. Speed up, slow down, bounce."}],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":[{"Header":"Overall","Score":"5/5","Text":""}],"CompilationReviewScores":[]},{"Issue":{"Name":"C&VG (Computer & Video Games) Issue 63, Jan 1987","Price":"£98","ReleaseDate":"1986-12-16","Editor":"Tim Metcalfe","TotalPages":164,"HasCoverTape":false,"FlannelPanel":"Editor: Tim Metcalfe\r\nDeputy Editor: Paul Boughton\r\nEditorial Assistant: Lesley Walker\r\nSub-Editor: Seamus St. John\r\nDesign: Craig Kennedy\r\nAdventure Writers: Keith Campbell, Paul Coppins, Steve Donoghue\r\nAmerican Correspondent: Marshall M. Rosenthal\r\nArcades: Clare Edgeley\r\nSoftware Consultant: Tony Takoushi\r\nPublicity: Marcus Rich\r\nAdvertisement Manager: Garry Williams\r\nAdvertisement Executive: Katherine Lee\r\nAd Production: Debbie Pearson\r\nPublisher: Rita Lewis\r\nCover: Steve Gibbs\r\n\r\nEditorial and Advertisement Offices: [redacted]\r\n\r\nJuly-December 98,258"},"MainText":"MACHINE: Spectrum/Amstrad/C64/Atari/MSX/C16\r\nSUPPLIER: Gremlin Graphics\r\nPRICE: £7.95 (Spec, MSX), £9.95 (Ams/C64/C16)\r\n\r\nTrailblazer is a deceptively simple game. Load it in and you think, \"What's all this then?\" But then you start playing. And from then on you won't want to know about anything else. It's fast and awesomely addictive.\r\n\r\nThe idea is simplicity itself. You are in control of a bouncing ball which you have to guide over a series of tracks packed with hazards for the unwary.\r\n\r\nFall off the track and you lose a life. Stay on and you're in for the ride of your life!\r\n\r\nThe tracks streak out at you from the centre of the screen - like a race track would in a regular race game. You have to use all your skill, judgement and fast reactions to keep the ball rolling.\r\n\r\nThere are chequerboard squares on some of the tracks which will either slow you down or speed you up or even make you jump automatically.\r\n\r\nLearn to recognise them, they can help or hinder your progress.\r\n\r\nThere's a time limit for each level - complete a track with time in hand - shown in the clock at the top of the screen and you get more time for the next level.\r\n\r\nThere are 14 fun-filled courses to attempteach with their own unique challenges.\r\n\r\nAnd you can play the game in two modes. The Three Course Trail gives you the opportunity to practice any three of the 14 tracks together with unlimited bounces. The Arcade option allows you to play all the courses in sequence with just four bounces and varying time limits.\r\n\r\nVersions apart from the Spectrum have colour coded squares to watch out for and a two player option, plus a player versus computer options. You can attempt to knock each other off course in two player/robot modes.\r\n\r\nTrailblazer on the Atari and 64 is just as addictive. But here you've got the extra added dimension of enhanced sound and glorious graphics. Do try playing the split screen two player version. It's great!\r\n\r\nGremlin's programmers have even managed to coax a decent tune out of the Spectrum! Sounds vary on other versions.\r\n\r\nTrailblazer is a simply brilliant game. Original and extremely addictive. Everyone should have it in their collection!","ReviewerComments":[],"OverallSummary":"","Page":"32","Denied":false,"Award":"C+VG Hit","Reviewers":[{"Name":"Tim Metcalfe","Score":"","ScoreSuffix":""}],"ScreenshotText":[{"Text":"Trailblazer is simply a brilliant game."}],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":[{"Header":"Graphics","Score":"7/10","Text":""},{"Header":"Sound","Score":"8/10","Text":""},{"Header":"Value","Score":"9/10","Text":""},{"Header":"Playability","Score":"9/10","Text":""}],"CompilationReviewScores":[]},{"Issue":{"Name":"Your Computer Issue 1, Jan 1987","Price":"£1","ReleaseDate":"1986-12-18","Editor":"Gary Evans","TotalPages":92,"HasCoverTape":false,"FlannelPanel":"Editor: Gary Evans\r\nDeputy Editor: Francis Jago\r\nStaff Writer: John Barnes\r\nSub Editor: Harold Mayes MBE\r\nProduction Editor: Jim McClure\r\nProduction Assistants: Nick Fry\r\nEditorial Secretary: Sheila Baker\r\nDesigner: Chris Winch\r\nDesign Assistant: Neil Tookey\r\nHead Of Advertising Sales: Dory Mackay\r\nAdvertisement Manager: David Lake\r\nAdvertisement Executive: Tim Seymour\r\nClassified: Paul Monaf\r\nPublisher: Paul Coster\r\nFinancial Director: Brendan McGrath\r\nManaging Director: Richard Hease\r\n\r\nYour Computer, [redacted]\r\nISS 0263 0885\r\n\r\n©1987 Focus Magazines Limited\r\nPrinted by The Riverside Press Ltd, England.\r\nTypeset by Time Graphics Ltd, [redacted]\r\n\r\nDistributed by Quadrant Publishing Services, [redacted].\r\n\r\nReasonable care is taken to avoid errors in this magazine but no liability is accepted for any errors which may occur. No material in this publication may be reproduced in any way without the written consent of the publishers. The publishers will not accept responsibility for the return of unsolicited manuscripts, listings, data tapes or discs.\r\n\r\nWe will assume permission to publish all unsolicited material unless otherwise stated. We cannot be held responsible for the safe return of any material submitted for publication. Please keep a copy of all your work and do not send us original artwork.\r\n\r\nUnfortunately we are unable to answer lengthy enquiries by telephone. Any written query requiring a personal answer MUST be accompanied by a stamped, self-addressed envelope; please allow up to 28 days for a reply.\r\n\r\nSubscriptions: UK £15 for 12 issues. Overseas (surface mail) £25 - airmail rates on request. Please make a cheque/postal orders payable to Focus Magazines (allow 5 weeks from receipt of order to delivery of first subscription copy). Send orders to Your Computer Subscriptions, [redacted].\r\n\r\nBack issues of the magazine from January onwards are available for £1.50 (UK), £3 (Overseas) from the Back Issues Department, [redacted].\r\n\r\nDistributed by Business Press International, [redacted]."},"MainText":"Various\r\nGremlin Graphics\r\nArcade\r\n£8.95\r\n\r\nIf I had to name one game which I would have said was a definite number one which never even got close, it would be Bounder, one of the best games released by Gremlin. It employs the concept of a ball bouncing over a vertically-scrolling landscape, with various holes in the floor you must avoid. Trailblazer, the latest release from Gremlin, takes the idea a great deal further and in doing so it has produced one of the most playable games I have seen.\r\n\r\nThe idea is to race either another player, or the computer, and to hop, skip and jump your way through the various courses. That may sound easy but the ball you are controlling travels at such speed that it is all but impossible to avoid falling down holes left, right and centre.\r\n\r\nAs you play the game you will notice that each colour on which you land affects your ball in a different way. Blue squares force you to jump - not always a good thing - and white squares put you into an excellent hyperspace which, if used correctly, can increase your bonus fourfold.\r\n\r\nGraphically, the game is exceptional, particularly on the Commodore, where it uses a split screen for the two-player mode. Instead of having a particular direction of scrolling, the screen races towards you and in some places it is so fast that even the most dexterous hands will be lost.\r\n\r\nConsidering the music was not created by a well-known name, it is catchy and enjoyable, as are the sound effects, which suit the game perfectly. When I first saw the game some months ago I was struck by its originality but thought that it lacked some finesse. That problem has been sorted and the game is one of the best of 1986.","ReviewerComments":[],"OverallSummary":"","Page":"52","Denied":false,"Award":"Not Awarded","Reviewers":[{"Name":"Francis Jago","Score":"5","ScoreSuffix":"/5"}],"ScreenshotText":[],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":[{"Header":"Graphics","Score":"5/5","Text":""},{"Header":"Sound","Score":"5/5","Text":""},{"Header":"Playability","Score":"5/5","Text":""},{"Header":"Value For Money","Score":"5/5","Text":""},{"Header":"Overall","Score":"5/5","Text":""}],"CompilationReviewScores":[]},{"Issue":{"Name":"ZX Computing Issue 32, Dec 1986","Price":"£1.5","ReleaseDate":"1986-11-20","Editor":"Bryan Ralph","TotalPages":92,"HasCoverTape":false,"FlannelPanel":"Editor: Bryan Ralph\r\nAssistant Editor: Cliff Joseph\r\nConsultant Editor: Ray Elder\r\nAdvertising Manager: John McGarry\r\nDesign: Argus Design\r\nA.S.P. Advertising and Editorial [redacted]\r\n\r\nPrinted by Chase Web\r\n\r\nAdvertisement Copy Controller: Andy Selwood\r\n\r\nDistributed by: Argus Press Sales and Distribution Ltd, [redacted]\r\n\r\nZX Computing Monthly is published on the fourth Friday of each month. Subscription rates can be obtained from ZX Subscriptions, [redacted]\r\n\r\nThe contents of this publication, including all articles, designs plans, drawings and other intellectual property rights herein belong to Argus Specialist Publications Limited. All rights conferred by the law of Copyright and other intellectual property rights and by virtue of international copyright conventions are specifically reserved to Argus Specialist Publications Limited and any reproduction requires the prior written consent of the company.\r\n\r\nArgus Specialist Publications Limited. ©1986"},"MainText":"GREMLIN'S NEW ARCADE RELEASE BRINGS OUT THE BEST IN ACTION REFLEX.\r\n\r\nGremlin\r\n£7.95\r\n\r\nIt sounds simple enough - just guide a ball down a highway. Nothing to it you might think but the reality is an excruciatingly addictive game that tests concentration, timing and reflexes to the limit.\r\n\r\nThe appeal of the game is based on the cunning design of the 14 courses. They vary in length and difficulty and are made up of squares and shapes that produce alarming effects on the ball under your control. Some you can roll across with ease but others will increase or decrease your speed, give you a free bounce or fiendishly reverse the joystick controls.\r\n\r\nThe properties of each square can be deduced from their shading but the distinction between different squares can be difficult to discern when travelling at speed and it takes quite a while to master the basics.\r\n\r\nThere are additional hazards. Many of the courses are paved almost entirely with holes to fall down and if you fall from the edge of the path you are consigned to oblivion.\r\n\r\nSensibly for a game of this kind a practice mode has been included which allows you to try any three of the courses in succession. To make it easier you are given unlimited jumps and a generous 99 second time limit to complete a course.\r\n\r\nThe rationing of jumps means you must search out the 'jump squares' or you won't have enough bounce to get you through. An important element to get right is the rhythm. Once you hit a good streak you can miraculously steam up the road almost without thinking because your reflexes are doing all the work. But if you miss a jump or disappear down a hole it's very difficult to get back into a winning rhythm. This is not helped by the restart which throws the ball up the road in front of you. If it happens to be heading for a hole there is nothing you can do about it and if you are unlucky this disappearing act can be repeated several times before you are back in control.\r\n\r\nSome courses are made up in part of huge letters which present their own difficulties to bounce across but one advantage is that memorising the letters gives you a clear idea of what to expect next time round. Not surprisingly you will find yourself bouncing across letters that spell out words such as GREMLIN, that is if you don't fall down the hole in the 'R' first.\r\n\r\nIf you like arcade games you will undoubtedly like Trailblazer, it's fast, demanding and gives you just the right sense of embarrassed infuriation when you just miss out on completing a course by a fraction of a second. Trailblazer is certainly not impossible to complete but it is devilishly difficult and is recommended for those who enjoy a challenge.","ReviewerComments":[],"OverallSummary":"","Page":"31","Denied":false,"Award":"ZX Monster Hit","Reviewers":[],"ScreenshotText":[],"BlurbText":[],"TranscriptBy":"Chris Bourne","ReviewScores":null,"CompilationReviewScores":[]}]}]